Notes Archive
Doctor—AITA F—Betty —Cukor —Eduard—FILMMA—Godard—Interv—Kazan —Manuel—Never —One Se—PLACIN—Recomm—Richar—Some F—The Am—THE LA—The Va—Two OX—Zhangk—
- “Doctor Kubrick”: or How I Stopped Worrying and Learned to Love the Movie
- “New Hollywood” and the 60s Melting Pot
- “Sad!”: Why I Won’t Watch Antichrist
- “The Doddering Relics of a Lost Cause”: John Ford’s THE SUN SHINES BRIGHT
- “The Greatest American Films Ever Made” (response to a BBC critics poll, 6/19/15)
- *CORPUS CALLOSUM
- 1,000 Favorites (A Personal Canon), part one
- 1,000 Favorites (A Personal Canon), part two
- 10 Key Moments in Films (4th Batch)
- 18 Thrillers You Might Have Missed…
- 1941 (1979)
- 2 or 3 Things I Know About Demy
- 3 Days at the Kitchen: Notes of a Videophobe
- 5 Best DVDs or Blu-Rays (Sight and Sound, 2018)
- A book review by Jon Rosenbaum (THE CRYING OF LOT 49)
- A Brief Reflection on “Winning” and “Losing”
- A BRIGHTER SUMMER DAY
- A Dialogue about Death by Milan Kundera
- A Double Standard at the Library of America?
- A Dozen Eccentric Westerns
- A Dozen Undervalued Movie Satires
- A Few (Further) Demurrals About Films that Didn’t Make It Onto My (2013) Ten Best List
- A Few Underpinnings of the New Iranian Cinema
- A Few Words on Behalf of Uggie
- A Fond Madness (The Legacy of Mad Comics) (1980)
- A Free Man [Clint Eastwood’s WHITE HUNTER, BLACK HEART]
- A Fuller Understanding: Revisiting the Life of Sam Fuller
- A Gun Up Your Ass: An Interview with Jim Jarmusch
- A Handful of World: The Films of Peter Thompson, An Introduction and Interview
- A Last-Minute Tip for Chicagoans: A BRIGHTER SUMMER DAY (Doc Films, May 18, 7 PM)
- A Lesson in Modesty: Speaking with Alain Resnais
- A Letter to Evergreen Review (1969)
- A Little More on Truffaut
- A Master Index To This Site (as of October 1, 2012)
- A Master Index To This Site, with Links (as of October 1, 2012)
- A Memorable Evening (Upgraded)
- A Motivated Author [on THE MOTIVE]
- A Note on HOLY MOTORS
- A Note on Mass Murder as Child’s Play
- A Note on the Demographics of My Web Site
- A Notorious French Conspiracy Exposed
- A Personal Account of an Adventure Called Film.Factory (expanded version)
- A Piece of Folk Wisdom from Little Rock
- A Possible Solution to a Mystery
- A Preview
- A Quote from a Famous General
- A Reduced GIANT
- A Scene from GOODBYE, DRAGON INN
- A SEPARATION: The Unspoken Subject in Iranian (and American) Cinema
- A Shocking Death, and a Gratifying Message (“Still learning…”)
- A Slightly Pregnant Man
- A Vigilance of Desire: Antonioni’s L’ECLISSE
- A WOMAN UNDER THE INFLUENCE (1976 review)
- ABBAS KIAROSTAMI: A Dialogue Between the Authors (Mehrnaz Saeed-Vafa & Jonathan Rosenbaum)
- Ad Hominem [review of DIXIANA MOON]
- Addressing the Present (2009)
- AFTER HOURS
- Afterword to THE BIG BRASS RING, A Screenplay by Orson Welles (with Oja Kodar)
- Afterword to THE CRADLE WILL ROCK, a screenplay by Orson Welles
- Afterword to the Korean Edition of ESSENTIAL CINEMA (updated)
- AGUIRRE, WRATH OF GOD (1986 review)
- Ahmad Jamal
- AIN’T MISBEHAVIN’ (1975 review)