This appeared in the February 12, 1999 issue of the Chicago Reader. –J.R.
Rating *** A must see
Directed by Wes Anderson
Written by Anderson and Owen Wilson
With Jason Schwartzman, Bill Murray, Olivia Williams, Seymour Cassel, Brian Cox, Mason Gamble, Sara Tanaka, Stephen McCole, Connie Nielsen, and Luke Wilson.
Rushmore has a good deal of content and human qualities to spare, but what makes it such a charming and satisfying experience is its style. Its segments are introduced by parting curtains, each labeled with the name of the appropriate month, which serves as a chapter heading — a neat way of calling attention to the broad and attractively composed ‘Scope frames and of parceling out the story in bite-size seasonal units. Less obvious and functional but unmistakably style-driven is the fact that the curtains come in different colors, giving another kind of lift to the proceedings. All the scenes are short (at least until the film moves into its homestretch), and director Wes Anderson also films these scenes in long and medium shots; in general he indulges in long scenes and close-ups only after he’s earned them. Because this is a studio effort that knows what it’s doing — a rare breed these days — it makes you wonder how many close-ups and long scenes are squandered in other studio releases. Read more