From the April 2017 Sight and Sound. — J.R.
FILM IS LIKE A BATTLEGROUND
Sam Fuller’s War Movies
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By Marsha Gordon. Oxford University Press, 314 pp. £24.07, ISBN 9780190269753
Reviewed by Jonathan Rosenbaum
Some Samuel Fuller fans may find it surprising that
the two most substantial academic studies of him so
far have both been by women—Lisa Dombrowski’s 2008
The Films of Samuel Fuller: If You Die, I’ll Kill You! and
now Marsha Gordon’s more specialised volume. But for
anyone lucky enough to have known Fuller personally,
isn’t surprising at all. An unabashed feminist whose
feisty mother remained a key figure for him, Fuller
confounded macho stereotypes as much as those
associated with familiar ideological and Hollywood
patterns, even while remaining a feverish self-mythologizer.
Gordon’s principal strength is as a researcher, and her access to such items as Fuller’s letters home and diaries during his wartime service and some of his lesser-known publications, productions, and projects (such as a 1944 magazine story, an unsold 1959 TV pilot called Dogface with some striking anticipations of his White Dog, and his subsequent unrealized screenplay The Rifle) allows her to treat her elected subject with a great deal of thoroughness. Read more