Category Archives: Notes

TOUCH OF EVIL: From Program Picture to Classic (2002)

Posted June 2, 2024 in Notes

Ambiguous Evidence: Cozarinsky’s “Cinema Indirect”

Posted June 2, 2024 in Notes

On ORSON WELLES AND ROGER HILL: A FRIENDSHIP IN THREE ACTS

Posted June 2, 2024 in Notes

Three More Hack Reviews of Hack Movies (from 1975)

Posted June 2, 2024 in Notes

Preface to the Iranian Edition of ABBAS KIAROSTAMI (July 2014)

Posted May 31, 2024 in Notes

The Problem with Poetry: Leos Carax

Posted May 29, 2024 in Notes

THE BED YOU SLEEP IN: Notes for the CD (1993)

Posted May 28, 2024 in Notes

Eleven Treasures of Jazz Performance on DVD

Posted May 28, 2024 in Notes

Godard’s Questions

Posted May 27, 2024 in Notes

TRAFIC

Posted May 24, 2024 in Notes

On PROVIDENCE

Posted May 23, 2024 in Notes

Recommended Viewing (Alabama Apotheosis): DID YOU WONDER WHO FIRED THE GUN?

Posted May 22, 2024 in Notes

Review of Jane Feuer’s THE HOLLYWOOD MUSICAL (1st edition)

Posted May 22, 2024 in Notes

Coilin & Platonida (1976 review)

Posted May 21, 2024 in Notes

TONI (1974 review)

Posted May 21, 2024 in Notes

Jonathan Rosenbaum

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Archives

Category Archives: Notes

TOUCH OF EVIL: From Program Picture to Classic (2002)

Ambiguous Evidence: Cozarinsky’s “Cinema Indirect”

On ORSON WELLES AND ROGER HILL: A FRIENDSHIP IN THREE ACTS

Three More Hack Reviews of Hack Movies (from 1975)

Preface to the Iranian Edition of ABBAS KIAROSTAMI (July 2014)

The Problem with Poetry: Leos Carax

THE BED YOU SLEEP IN: Notes for the CD (1993)

Eleven Treasures of Jazz Performance on DVD

Godard’s Questions

TRAFIC

On PROVIDENCE

Recommended Viewing (Alabama Apotheosis): DID YOU WONDER WHO FIRED THE GUN?

Review of Jane Feuer’s THE HOLLYWOOD MUSICAL (1st edition)

Coilin & Platonida (1976 review)

TONI (1974 review)