I’ve been trying for years to track down and see Susan Sontag’s fourth and final film, Unguided Tour (1983), and now, quite by accident, I’ve discovered that it’s available online, here. If, like me, you can’t follow the Italian without English subtitles, perhaps the best solution would be to read Sontag’s original story, the final one included in her 1978 collection I, etcetera. [3/6/2016]

A lengthy postscript: Thanks to the generosity of David Heslin and the wonders of the Internet, there are the complete English subtitles:

1

00:00:39,362 –> 00:00:44,104

<b>UNGUIDED TOUR</b>

2

00:00:44,400 –> 00:00:47,558

by Susan Sontag

3

00:01:49,488 –> 00:01:52,357

A tourist city different from

any other.

4

00:01:54,195 –> 00:01:56,284

Different from Florence.

5

00:01:57,995 –> 00:01:59,883

Different from Siena.

6

00:02:01,316 –> 00:02:03,003

Different from Rome.

7

00:02:04,664 –> 00:02:06,476

Different from Athens.

8

00:02:08,036 –> 00:02:09,697

Or Dubrovnik.

9

00:02:11,711 –> 00:02:13,699

Because there’s an imaginary kingdom

10

00:02:13,850 –> 00:02:16,241

of which this city is the capital.

11

00:02:17,310 –> 00:02:19,550

of which this city is the centre.

12

00:02:24,559 –> 00:02:28,711

There was a very dear friend of mine,

an Argentinian film-maker in exile

13

00:02:29,139 –> 00:02:31,165

who fled to save his skin.

14

00:02:31,404 –> 00:02:33,393

As he was a journalist too.

15

00:02:33,669 –> 00:02:36,558

And… hundreds of journalists

have been killed in Argentina

16

00:02:36,719 –> 00:02:38,511

during the past few years.

17

00:02:38,690 –> 00:02:41,560

So, I was talking to that friend

who’s been living in Paris

18

00:02:41,711 –> 00:02:44,403

for almost 7 years

and I asked him:

19

00:02:45,033 –> 00:02:47,474

Can you imagine going back

to live in Argentina?

20

00:02:47,625 –> 00:02:50,340

Provided that there’s

a change of government.

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00:02:50,617 –> 00:02:52,983

Well, he replied

22

00:02:53,210 –> 00:02:55,525

Certainly, I’d like to.

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00:02:56,079 –> 00:02:57,740

Often too.

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00:02:58,294 –> 00:03:00,961

But to really live there, you know…

25

00:03:01,817 –> 00:03:04,699

Besides, Buenos Aires

is too far from…

26

00:03:05,366 –> 00:03:08,889

And we, both together,

at the same time, exclaimed:

27

00:03:09,191 –> 00:03:10,676

Venice.

28

00:05:30,969 –> 00:05:35,642

Venice is a city that even the Italians

visit as if it were a foreign city.

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00:05:37,371 –> 00:05:39,295

As for foreigners…

30

00:05:40,171 –> 00:05:42,446

There’s every kind of foreigner.

31

00:05:43,573 –> 00:05:46,211

Everyone brings their own homage.

32

00:05:47,600 –> 00:05:49,493

Their own admiration.

33

00:05:50,030 –> 00:05:51,661

Their curiosity.

34

00:05:52,285 –> 00:05:53,815

Their anxiety.

35

00:05:54,359 –> 00:05:56,151

Their complacency.

36

00:05:56,836 –> 00:05:58,305

Their avidity.

37

00:06:02,804 –> 00:06:04,858

Wishing to be in Venice.

38

00:06:07,012 –> 00:06:09,126

Wishing for having been in Venice.

39

00:07:09,228 –> 00:07:11,020

This place…

40

00:07:11,725 –> 00:07:15,329

A certain devotion always

brings me back to this place.

41

00:07:16,317 –> 00:07:19,519

I’m thinking about all the people

who have been here.

42

00:08:24,075 –> 00:08:26,471

Good morning.

May I help you?

43

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<i>You don’t know?</i> – No, Madam.

I’m sorry. It’s full, Madam.

44

00:08:33,687 –> 00:08:35,419

What class, Madam?

45

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Second-class.

46

00:08:42,686 –> 00:08:44,690

You’re welcome, Madam.

Yes. I’m so sorry.

47

00:09:51,813 –> 00:09:54,631

Once I was standing next to

two Americans who were watching

48

00:09:54,792 –> 00:09:57,027

Saint Mark’s Basilica, spellbound.

49

00:09:57,631 –> 00:10:00,430

The big triumphal arch.

Five portals.

50

00:10:00,551 –> 00:10:03,148

The gold, statues and bas-reliefs.

51

00:10:03,760 –> 00:10:06,398

At one point,

one turned to the other and said,

52

00:10:06,539 –> 00:10:07,988

almost reluctantly,

53

00:10:09,035 –> 00:10:11,149

What kind of church is this?

54

00:10:11,947 –> 00:10:14,746

And after a long pause,

the other man replied:

55

00:10:16,276 –> 00:10:18,592

I think that it’s Catholic.

56

00:13:25,416 –> 00:13:28,536

But we’re not talking

about tourists such as these.

57

00:13:28,919 –> 00:13:31,919

To these it’s so easy

to feel superior.

58

00:13:32,565 –> 00:13:34,176

For us.

59

00:13:34,518 –> 00:13:36,411

Tourists of a different kind.

60

00:13:38,686 –> 00:13:40,750

There’s one kind of tourist.

61

00:13:41,439 –> 00:13:43,976

And then there’s

a special kind of tourist.

62

00:13:44,781 –> 00:13:47,459

Attracted, above all, to Venice.

63

00:13:50,017 –> 00:13:51,910

The melancholy tourist.

64

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For that reason, a special tourist.

65

00:13:56,782 –> 00:13:58,695

Predestined to Venice.

66

00:13:59,685 –> 00:14:02,362

Venice is the capital of melancholy.

67

00:14:18,022 –> 00:14:21,083

I went on a journey

to see beautiful things.

68

00:14:22,217 –> 00:14:23,828

Change of scene.

69

00:14:24,191 –> 00:14:26,083

A change of heart.

70

00:14:26,808 –> 00:14:29,123

And do you know something?

– What?

71

00:14:30,412 –> 00:14:31,942

They are always there.

72

00:14:34,546 –> 00:14:36,640

But they won’t be there for long.

73

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I know.

74

00:14:38,755 –> 00:14:41,110

And this is why I went.

75

00:14:42,318 –> 00:14:43,794

To say good-bye.

76

00:14:45,143 –> 00:14:48,143

When I’m travelling,

it’s always to say good-bye.

77

00:15:23,350 –> 00:15:26,713

Sunsets…

Leaning towers…

78

00:15:27,820 –> 00:15:29,753

Tiled roofs.

79

00:15:30,296 –> 00:15:32,149

Gates.

80

00:15:32,488 –> 00:15:34,400

Wooden balconies.

81

00:15:35,186 –> 00:15:36,696

Canals.

82

00:15:37,320 –> 00:15:40,582

And one after the other,

the bridges’ humps.

83

00:15:45,022 –> 00:15:48,002

Move away from the window.

Please.

84

00:15:56,189 –> 00:15:59,249

The sound of footsteps in Venice.

85

00:16:00,115 –> 00:16:02,289

And Venetian shouts.

86

00:16:08,883 –> 00:16:10,735

Every word here…

87

00:16:10,896 –> 00:16:12,789

however articulated it may be…

88

00:16:13,212 –> 00:16:15,326

always sounds like an appeal…

89

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made over the sea.

90

00:18:02,157 –> 00:18:05,439

Their names are scratched

at the bottom of the fresco.

91

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Vandals!

92

00:18:20,048 –> 00:18:21,457

Yes.

93

00:18:23,845 –> 00:18:26,141

Their way of being present.

94

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The most superb things

made by human beings

95

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lowered to the level

of the things of nature.

96

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Last Judgment.

97

00:18:48,479 –> 00:18:51,821

We can’t put away everything

in the museums.

98

00:19:08,557 –> 00:19:11,557

There are no beautiful things

in your country?

99

00:19:12,201 –> 00:19:13,530

No.

100

00:19:16,890 –> 00:19:18,219

Yes.

101

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Less.

102

00:19:28,621 –> 00:19:31,218

Did you have guides on you? Maps?

103

00:19:31,681 –> 00:19:33,292

Rubber boots?

104

00:19:34,379 –> 00:19:37,641

I read the guides later on.

At home.

105

00:19:41,446 –> 00:19:44,043

But you did go visit

the famous places?

106

00:19:44,607 –> 00:19:47,164

Didn’t you have

the perversity to neglect them?

107

00:19:49,502 –> 00:19:51,918

Yes, I visited them.

108

00:19:54,778 –> 00:19:59,413

As conscientiously as possible,

although protecting your ignorance.

109

00:20:08,135 –> 00:20:11,478

I don’t want to know

more than I already know.

110

00:20:12,827 –> 00:20:15,515

I don’t want to grow fond of

those places…

111

00:20:15,859 –> 00:20:17,562

more than I already am.

112

00:21:25,678 –> 00:21:27,905

Do you remember what you saw?

113

00:21:35,023 –> 00:21:38,637

No. Not much.

– It’s not true.

114

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Of course. I remember everything.

115

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It’s always been this way.

116

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I know all my future reactions.

117

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I know all the words

that they will prounounce.

118

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You should’ve taken me with you.

Instead…

119

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Instead of him, you want to say?

120

00:22:36,318 –> 00:22:37,616

Yes.

121

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Obviously, I wasn’t alone.

122

00:22:41,338 –> 00:22:44,356

But we were quarrelling

almost all the time.

123

00:22:45,268 –> 00:22:48,987

He obtuse.

Me unbearable.

124

00:23:27,421 –> 00:23:29,702

You’re going to catch a cold.

125

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Drink this.

– I’m feeling fine.

126

00:23:45,700 –> 00:23:47,524

Don’t get angry.

127

00:23:49,489 –> 00:23:51,770

Did you give Bruno a tip?

128

00:24:21,542 –> 00:24:23,120

Forebodings.

129

00:24:23,892 –> 00:24:28,103

On the cloister’s wall…

A long, diagonal chink opened up.

130

00:24:30,462 –> 00:24:33,058

The water level is rising.

131

00:24:33,445 –> 00:24:37,866

The marble nose of the saint

is no longer aquiline.

132

00:24:38,322 –> 00:24:40,603

But beautiful things are here.

133

00:24:41,866 –> 00:24:44,673

They didn’t disappear before us.

134

00:24:45,073 –> 00:24:47,038

They are still here.

135

00:24:48,509 –> 00:24:51,108

They’re even trying to save them.

136

00:24:54,547 –> 00:24:56,722

I’d like to preserve my…

137

00:24:56,898 –> 00:24:58,617

First impression?

138

00:24:58,933 –> 00:25:01,845

We can call it so.

– For God’s sake!

139

00:25:02,021 –> 00:25:04,372

Let’s limit ourselves to real things.

140

00:25:06,565 –> 00:25:09,793

I don’t want to model

my intelligence with facts.

141

00:25:10,073 –> 00:25:13,652

If you don’t want to look at that picture,

look at me.

142

00:26:00,876 –> 00:26:02,827

Death in Venice.

143

00:26:03,911 –> 00:26:07,490

Venice is a city where it’s easy

to think about death.

144

00:26:12,218 –> 00:26:13,867

About memory.

145

00:26:16,639 –> 00:26:19,691

Even the memories

which don’t belong to us.

146

00:26:21,765 –> 00:26:23,358

In memory.

147

00:26:37,827 –> 00:26:41,687

One arrives in Venice with a heart

full of soothed memories.

148

00:26:43,599 –> 00:26:46,704

One comes here to

look back on with regret.

149

00:26:47,862 –> 00:26:50,423

One is allowed to do that… Here.

150

00:28:05,875 –> 00:28:09,279

Here. He died here.

151

00:28:09,665 –> 00:28:11,665

In this room.

152

00:28:12,883 –> 00:28:17,655

On February 13th 1833.

153

00:28:55,127 –> 00:28:59,026

Tell yourself 50 times a day.

154

00:29:00,548 –> 00:29:03,180

I’m not a connoisseur.

155

00:29:03,902 –> 00:29:06,744

I’m not a romantic wanderer.

156

00:29:07,834 –> 00:29:10,323

I’m not a pilgrim.

157

00:29:10,990 –> 00:29:12,744

So you say.

158

00:29:16,126 –> 00:29:18,091

Were you happy sometimes?

159

00:29:20,477 –> 00:29:22,863

Not only, despite everything.

160

00:29:24,508 –> 00:29:26,858

Staying on the bridge at sunset.

161

00:29:27,946 –> 00:29:31,911

Walking on the tessellated

floor of the basilica.

162

00:29:35,537 –> 00:29:37,782

The splendour of the things.

163

00:29:38,905 –> 00:29:40,905

Decrepitude.

164

00:29:41,853 –> 00:29:43,396

Pathos.

165

00:29:44,892 –> 00:29:46,366

Beauty.

166

00:29:51,067 –> 00:29:52,857

Beatitude.

167

00:29:59,086 –> 00:30:01,823

You send postcards

with <i>beatitude</i> written on them.

168

00:30:02,068 –> 00:30:03,542

Remember?

169

00:30:03,963 –> 00:30:06,367

You sent one to me too.

170

00:30:07,454 –> 00:30:08,998

I do remember.

171

00:30:09,560 –> 00:30:11,735

Don’t interrupt me.

172

00:30:27,958 –> 00:30:31,257

Let’s visit the church,

if it’s not closed.

173

00:30:33,151 –> 00:30:35,046

Let’s visit the cemetery.

174

00:30:37,555 –> 00:30:39,871

Let’s go see the regatta.

175

00:30:41,695 –> 00:30:43,450

There’s a concert at <i>La Fenice</i>.

176

00:31:41,678 –> 00:31:43,942

How do you decide where to go?

177

00:31:47,218 –> 00:31:50,481

By playing roulette with my memory.

178

00:32:26,004 –> 00:32:27,934

It’s always this way.

179

00:32:28,846 –> 00:32:31,899

At first, I’m not so impressed.

180

00:32:33,729 –> 00:32:37,553

But afterwards…

After a few days…

181

00:32:38,536 –> 00:32:40,430

I’m in tears.

182

00:35:59,120 –> 00:36:04,243

I can’t love a past trapped in

my memories like a souvenir.

183

00:36:53,094 –> 00:36:56,147

There’s always something ineffable

in the past.

184

00:36:56,340 –> 00:36:57,962

Don’t you think so?

185

00:36:58,849 –> 00:37:01,480

In all its original glory.

186

00:37:01,744 –> 00:37:05,393

Indispensable legacy

of a cultured woman.

187

00:37:06,358 –> 00:37:09,375

You’re making a fool of me.

– No…

188

00:37:09,568 –> 00:37:13,340

I’m making a fool of myself.

I should be grateful.

189

00:37:28,055 –> 00:37:30,017

So we agree?

190

00:37:31,037 –> 00:37:34,581

I don’t consider devotion to the past

as a form of snobbery.

191

00:37:35,178 –> 00:37:38,721

It’s just one of the most devastating

forms of unrequited love.

192

00:38:43,286 –> 00:38:44,514

Attention.

193

00:38:44,689 –> 00:38:49,233

Will the cemetery priest please

go to the sixteenth enclosure.

194

00:38:50,110 –> 00:38:55,677

Will the cemetery priest please

go to the sixteenth enclosure.

195

00:39:26,477 –> 00:39:30,196

Attention.

Three workmen to enclosure n.8.

196

00:39:30,476 –> 00:39:33,810

Three workmen to enclosure n.8.

197

00:39:52,219 –> 00:39:56,640

It is said that a trip is a great opportunity

to restore a bruised love.

198

00:39:58,044 –> 00:39:59,974

Or rather, the worst.

199

00:40:01,833 –> 00:40:06,430

With feelings similar to pieces of shrapnel

half-extracted from a wound.

200

00:40:07,044 –> 00:40:08,605

Opinions.

201

00:40:08,816 –> 00:40:11,167

And the rivalry of opinions.

202

00:40:12,114 –> 00:40:16,342

Desperate love practices in the hotel

during the golden, summery afternoons.

203

00:40:16,781 –> 00:40:18,412

Room service.

204

00:40:26,824 –> 00:40:29,140

But you used to be so full of hope.

205

00:40:30,298 –> 00:40:33,736

Prisons and hospitals

brim over with hope.

206

00:40:34,340 –> 00:40:37,649

But not charter planes

and exclusive hotels.

207

00:41:20,318 –> 00:41:21,616

Yes?

208

00:41:27,213 –> 00:41:29,844

What do you like, Madame?

What do you need?

209

00:41:30,371 –> 00:41:32,511

What do you need?

210

00:41:36,353 –> 00:41:38,669

79 and 500, Madame.

211

00:41:39,722 –> 00:41:42,810

Yes… no, for a…

for the double room.

212

00:41:43,178 –> 00:41:44,652

Yeah.

213

00:41:49,964 –> 00:41:53,613

No, I’m sure, Madame.

The day after we are full up.

214

00:41:56,385 –> 00:41:59,016

Only for one night, Madame.

215

00:42:01,822 –> 00:42:04,173

It’s up to you.

I don’t know, Madame.

216

00:42:04,436 –> 00:42:08,471

No, because the weekend,

with the hotel we’re full up in Venice.

217

00:42:17,244 –> 00:42:19,166

One moment…

218

00:42:19,910 –> 00:42:22,065

Where are you from, Madame?

219

00:42:23,472 –> 00:42:25,717

Mrs. Ross…

220

00:42:29,398 –> 00:42:33,894

Double room with bath.

Double with bath or shower?

221

00:42:36,679 –> 00:42:38,937

One moment, Madame, please.

222

00:42:39,591 –> 00:42:42,889

For three nights it’s possible.

223

00:42:43,539 –> 00:42:46,100

What time do you arrive, Madame?

224

00:42:48,275 –> 00:42:50,381

You arrive at 6 o’clock in the morning?

225

00:42:50,626 –> 00:42:54,138

But the room is not ready

till after 12 o’clock.

226

00:42:55,118 –> 00:42:57,609

Till after 12 o’clock, Madame.

227

00:42:58,170 –> 00:42:59,925

That’s alright.

228

00:43:00,153 –> 00:43:04,609

In any case, we keep the room

not later than 12 o’clock in the afternoon.

229

00:43:05,907 –> 00:43:07,863

Bye-bye, thank you.

230

00:43:17,539 –> 00:43:20,100

Were you moved, sometimes?

231

00:43:21,293 –> 00:43:25,013

Of course I was.

I still am.

232

00:43:27,328 –> 00:43:29,885

You should be careful

to not ask yourself

233

00:43:30,236 –> 00:43:34,657

if these pleasures are superior

to the ones of the last year.

234

00:43:35,219 –> 00:43:37,271

They never are.

235

00:43:40,840 –> 00:43:43,401

It must be the seduction of past again.

236

00:43:43,611 –> 00:43:47,085

But just wait until

<i>now</i> becomes <i>then</i>.

237

00:43:47,699 –> 00:43:50,331

You’ll see how happy we were.

238

00:44:14,259 –> 00:44:16,820

I don’t expect to be happy.

239

00:44:58,782 –> 00:45:00,185

I love you.

240

00:45:00,396 –> 00:45:02,361

And my heart is beating.

241

00:45:02,747 –> 00:45:04,326

Mine too.

242

00:45:04,747 –> 00:45:08,712

The main thing is that we’re

strolling together under this arch.

243

00:45:10,028 –> 00:45:13,852

That we’re strolling…

That we’re looking…

244

00:45:14,607 –> 00:45:16,887

That it’s wonderful.

245

00:46:27,698 –> 00:46:29,277

Complaints.

246

00:46:30,891 –> 00:46:32,540

I’ve already seen it.

247

00:46:33,838 –> 00:46:36,365

I’m sure it’ll be full.

248

00:46:36,892 –> 00:46:38,506

It’s too far.

249

00:46:38,716 –> 00:46:42,014

Just two showings at the cinema.

At 7 and 9 o’clock.

250

00:46:42,927 –> 00:46:46,400

A strike is on.

I’m unable to phone.

251

00:46:47,186 –> 00:46:51,264

This damned siesta.

Everything’s closed from 1 to 4pm.

252

00:46:52,379 –> 00:46:54,379

If all this stuff

has slipped out of my bag.

253

00:46:54,572 –> 00:46:57,801

I don’t understand why

you can’t just put it back.

254

00:47:05,092 –> 00:47:07,302

How could you put up with him?

255

00:47:07,618 –> 00:47:10,460

It was easier that it might seem.

256

00:47:17,384 –> 00:47:19,033

I’ve already seen it.

257

00:47:22,336 –> 00:47:23,945

It’ll be full.

258

00:47:25,138 –> 00:47:27,910

It’s too far.

And a strike is on.

259

00:47:31,017 –> 00:47:33,262

This damned siesta.

260

00:48:13,740 –> 00:48:15,955

Is the fish soup ready?

261

00:48:35,019 –> 00:48:37,615

The porter says he closes at 2 o’clock.

262

00:48:38,142 –> 00:48:40,212

It’s a remarkable collection.

263

00:48:41,759 –> 00:48:44,461

One can hardly please you.

264

00:48:45,935 –> 00:48:49,163

I want to go back

to that antiquary shop.

265

00:48:50,426 –> 00:48:54,812

All we can do

is wait for the next meal.

266

00:48:55,689 –> 00:48:57,303

Like animals.

267

00:49:15,917 –> 00:49:19,601

You’ll soon stop worrying

about these petty nuisances.

268

00:49:21,759 –> 00:49:25,654

You’ll notice that you’re free

from worries and duties.

269

00:49:27,443 –> 00:49:30,005

And then the uneasiness will start.

270

00:49:32,145 –> 00:49:35,980

I want to resist

the melancholy temptation.

271

00:49:36,963 –> 00:49:39,138

If you knew how much…

272

00:53:19,741 –> 00:53:22,186

Yet, I loved him sometimes.

273

00:53:23,535 –> 00:53:25,636

At the mercy of your moods.

274

00:53:27,104 –> 00:53:29,420

My stubborn silences.

275

00:53:30,858 –> 00:53:33,402

Were you trying to

put right a mistake?

276

00:53:33,630 –> 00:53:36,648

I was trying to reverse a situation.

277

00:59:46,307 –> 00:59:49,675

The siren sounds.

It announces the tide

278

00:59:50,044 –> 00:59:52,851

is rising more than usual.

279

00:59:54,079 –> 00:59:58,430

It is now a nice sound for the Venetians,

later for the pigeons, look.

280

00:59:58,640 –> 00:59:59,939

The pigeons move.

281

01:00:01,833 –> 01:00:05,096

The pigeons go up.

They have nests up there.

282

01:00:05,272 –> 01:00:07,889

Only we Venetians live down.

283

01:00:09,991 –> 01:00:14,079

Now we go inside the church,

before the high tide.

284

01:00:14,377 –> 01:00:17,930

No danger, no danger.

I feel…

285

01:00:18,307 –> 01:00:20,061

like Moses, you know Moses?

286

01:00:20,394 –> 01:00:23,807

Guiding the people through the Red Sea,

I am Moses.

287

01:01:46,590 –> 01:01:48,379

I told you.

288

01:01:49,046 –> 01:01:51,888

You should’ve taken me with you,

instead.

289

01:01:54,621 –> 01:01:57,200

It wouldn’t have changed anything.

290

01:01:58,902 –> 01:02:01,042

I would’ve left you too.

291

01:03:21,280 –> 01:03:23,884

But you may decide to stay.

292

01:03:24,719 –> 01:03:26,543

Make other plans.

293

01:03:27,459 –> 01:03:31,740

Or, it might seem to you that

you give up something irreplaceable?

294

01:03:32,231 –> 01:03:34,336

In the whole world.

295

01:04:22,837 –> 01:04:25,679

A city inhabited by the buildings.

296

01:04:26,801 –> 01:04:29,730

Buildings threatened with extinction.

297

01:04:33,958 –> 01:04:36,783

A city that will disappear one day.

298

01:04:40,116 –> 01:04:41,485

Venice…

299

01:04:42,608 –> 01:04:45,590

Our <i>Titanic</i> in slow motion.

300

01:06:07,701 –> 01:06:11,438

When did we feel this pain

for the first time?

301

01:06:12,701 –> 01:06:14,522

How far are we?

302

01:06:22,840 –> 01:06:27,647

That’s better than asking ourselves

how far are we from the end?

303

01:06:57,635 –> 01:06:59,284

In the beginning…

304

01:06:59,600 –> 01:07:01,284

someone said

305

01:07:02,144 –> 01:07:04,565

the whole world is America.

306

01:07:06,565 –> 01:07:08,038

But, in the end…

307

01:07:08,284 –> 01:07:10,389

the whole world is Venice.

308

01:09:29,388 –> 01:09:33,897

English subtitles:

<i>marooned2 & corvusalbus</i>, <b>KG</b>