I’m very glad that Anna Karina’s neglected first feature, Vivre ensemble (1973), wasn’t overlooked in “The Female Gaze” (S&S, October), but I should also point out that the film isn’t quite as inaccessible as James Blackford, who couldn’t find a way of seeing it, assumes. Having been at the film’s premiere at Cannes and then having reseen it shortly afterwards in Paris, I still remembered it almost 40 years later when I selected and presented it on January 21, 2012, at Toronto’s Lightbox, as part of a series celebrating the Cannes’ La Semaine de la Critique. Seeing it again on that occasion, I found it fascinating — very brave, very personal, and also very, very 1973, in quite illuminating ways. The occasional autobiographical echoes reflecting Karina’s earlier relation to Godard only added to the fascination, and Karina herself suggested to me in a brief phone conversation that the film was badly received by the French film industry in part because the decision of a local actress to write and direct her own feature was virtually unprecedented at the time. I should add that she has written and directed a second feature, Victoria (2008), made in French Canada, that is even more obscure and inaccessible than Living Together has been; I haven’t been able to see it myself, and information about it on the Internet is extremely scarce, but I’m still hoping this situation will change.

 Yours faithfully,

 Jonathan Rosenbaum

 

2018 postscript: Vivre Ensemble came out in France this year in a dual format edition (i.e., DVD + Blu-Ray), with optional French (but not English) subtitles.