http://www.filmpreservation.org/preserved-films/screening-room/too-much-johnson-work-print

My only (minor) quarrel with Scott Simmon’s excellent accompanying essay is his speculation about the reason or reasons why the film wasn’t screened at the Connecticut stage preview. According to the late Richard Wilson, who worked on the editing of the film, the summer theater had an inadequate throw for film projection. (See This is Orson Welles, p. 344 — which also includes the erroneous information that the only copy of the work print was destroyed in a fire at Welles’ Madrid villa in 1970). [8/21/14]