It’s sad to hear about the death of my friend Edgardo Cozarinsky, a writer and director, in Buenos Aires, at age 85, but the sadness belongs to his friends rather than to Edgardo himself, because I believe he had a rich and full life.
The following text, commissioned by Edgardo himself for a retrospective held in Paris, was reprinted in my original English in the September-October 1995 issue of Film Comment. I should stress that this essay is very much out of date once one starts to consider Cozarinsky’s prolific subsequent career as both a writer and a filmmaker — although I’ve anachronistically included some more recent book covers and film posters as illustrations, as well as a poster and two stills from the 2005 Ronda Nocturna, known in English as Night Watch, in part to help make up for the impossibility of finding stills for some of the rarer films of his discussed here.
Let me also quote my Reader capsule review of Night Watch: “With a few exceptions, I prefer the literature of Edgardo Cozarinsky, an Argentinean based mainly in Paris, to his films, and his nonfiction in both realms to his fiction. But this poetic, atmospheric drama, shot in Buenos Aires, challenged my bias, mixing the natural and the supernatural, the cinematic and the literary, with such assurance that Cozarinsky no longer seems like a divided artist. Read more