Trevor Vartanoff, one of the frequenters of this web site, has just come up with an invaluable gift to me and to others — an alphabetical master index of all (or almost all) the postings here, complete with links. .#.(2024): Ooops. Here’s the correct link to the other link: https://jonathanrosenbaum.net/2023/09/a-master-index-to-this-site-with-links-as-of-october-1-2012/
***
Featured Texts:
*Corpus Callosum
*CORPUS CALLOSUM
12 Monkeys
12 and Holding
15th Annual Festival of Illinois Film and Video
2 Oxford Companion Entries (Albert Brooks and découpage)
2 or 3 Things I Know About Her
2001: A Space Odyssey
2046
20th International Tournee of Animation
29th Chicago International Film Festival: Mired in the Present
4 Little Girls
4
60s Wisdom
7 Women
8 1/2
8 Mile
84 Charlie Mopic
9 1/2 Weeks with Van Gogh
A Bankable Feast [BABETTE’S FEAST]
A Beauty and a Beast
A Bluffer’s Guide to Bela Tarr
A Breakthrough And A Throwback
A Brief History of Time
A Brighter Summer Day
A Bronx Tale
A Christmas Commodity: SCROOGED
A Cinema of Uncertainty
A Constant Forge
A Couple of Kooks [MY BEST FIEND]
A Cut Above [HENRY: PORTRAIT OF A SERIAL KILLER]
A Depth in the Family [A HISTORY OF VIOLENCE]
A Dialogue about Abbas Kiarostami’s SHIRIN
A Different Kind of Swinger [GEORGE OF THE JUNGLE]
A Different Kind of Thrill (Richet’s ASSAULT ON PRECINCT 13)
A Dry White Season
A Family Thing
A Far Off Place
A Few Eruptions in the House of Lava
A Few Things Well [A LITTLE STIFF]
A Film of the Future
A Fish Called Wanda
A Force Unto Himself [on Hou Hsiao-hsien]
A Great Day in Harlem
A History of Violence
A Home of Our Own
À la recherche de Luc Moullet: 25 Propositions
A Little Transcendence Goes a Long Way
A Lucky Day
A Major Talent [on SWEETIE]
A Man Escaped
A Midnight Clear
A Moment of Innocence
A New Leaf
A Nightmare on Elm Street 4: The Dream Master
A Page of Madness
A Perfect World
A Perversion of the Past
A Place Called Chiapas
A Place in the Pantheon: Films by Bela Tarr
A Place in the World
A Price Above Rubies
A Prophet in His Own Country [Jon Jost retrospective]
A Quirky Cowboy Classic [on THE THREE BURIALS OF MELQUIADES ESTRADA]
A Radical Idea [HALF NELSON & THIS FILM IS NOT YET RATED]
A Road Not Taken (The Films of Harun Farocki)
A Room With No View [ORPHANS]
A Russian in Hollywood [SHY PEOPLE]
A Scanner Darkly
A Short Film About Killing and A Short Film About Love
A Single Girl
A Soldier’s Daughter Never Cries
A Stylist Hits His Stride (ETERNAL SUNSHINE OF THE SPOTLESS MIND)
A Tale of Love
A Tale of Winter
A Tale of the Wind
A Tale of the Wind
A Thousand Words
A Time of Love
A Time to Lie (CROSS MY HEART)
A Time to Live and a Time to Die
A Touch of Class [GOSFORD PARK]
A Woman’s Tale
A World Apart
A Year at the Movies
A Zed and Two Noughts
A.I. Artificial Intelligence
ABC Africa
Abel Ferrara: The Moral Vision (book review)
About Baghdad
Absence of Conscience [on GOODFELLAS]
Absolute Wilson
Abyss Full of Tricks
Acid Western
Action and Distraction (STRANGE DAYS)
Actor, Auteur [SHIRLEY VALENTINE]
Actress
Acts of Defiance [SAVAGE NIGHTS]
Addams Family Values
Adolescent Eye
Adrift in the Wasteland (NAKED)
Afghan High Jinks
African Camera: 20 Years of African Cinema
After Dark, My Sweet
Against the Tide
Alain Resnais and MELO
Alice and Martin
Alien Nation
All You Need Is Cash [SMALL TIME CROOKS]
All and Nothing [IRREVERSIBLE & AMEN.]
All by Myself
All the Pretty Carnage
All the Vermeers in New York
Allegro non troppo
Allusion Profusion [ED WOOD & PULP FICTION]
Almanac of Fall
Alone in a Crowd [on YI YI]
Alone on the Pacific
America Becoming
American Beauty [on Chris Petit’s NEGATIVE SPACE]
American Fabulous
American Friends
American in Paris
An Actor’s Revenge
An Actor’s Revenge
An Affair of Love
An Affair to Forget
An Altman [on A WEDDING]
An American in Paris [ROUND MIDNIGHT] (previously unpublished)
An Angel at My Table
Anatomy of a Relationship
And Now the News [THE 4TH ANIMATION CELEBRATION]
And an Apology to Jagger, Too
Andrei Rublev
Anna Christie
Another Day, Another Genre [MATCH POINT]
Anthropological Auteur (on Jean Rouch)
Aparajito
Apocalypse Now Redux
Apology
Arabian Knight
Are We Having Fun Yet?
Are We Not Sick? [on SAFE]
Aria
Army of Shadows
Around the World in 1,085 Pages (on Pynchon’s AGAINST THE DAY)
Arresting Images [THE BLOODY CHILD]
Arsenal
Art Film by Numbers [THE COOK, THE THIEF, HIS WIFE 7 HER LOVER]
Art Imitates Love (THE SHAPE OF THINGS)
Art School Confidential
Art School Is Murder
Art in Action [ZATOICHI & COLLATERAL]
Art of Darkness [WICHITA]
Art of Music Video: Vanguard Revisions
Artful Craft [SNEAKERS]
Artists and Models
Ashik Kerib
Ask the Dust
Asylum
Austin Powers:International Man of Mystery
Automatic Writing
Avanti!
Awakenings
Away From Her
Bab El-Oued City
Baby Boy
Baby Face: The Uncut Version and Two Seconds
Back in Style
Backyard Ethics [REAR WINDOW]
Bad Behavior
Bad Blood
Bad Company
Bad Ideas [on WILD AT HEART]
Bag of Tics [the 1991 CAPE FEAR]
Ballot Measure 9
Bangkok Bahrain
Barjo
Barry Lyndon
Basquiat
Beau travail
Beautiful Losers
Beautiful Moments [MEN DON’T LEAVE]
Beautiful and Barbaric
Beautifully Fake and Just Plain Phony
Beauty and the Beast
Because You Are a Woman
Before Sunrise
Before Sunset
Before the Revolution
Being Human
Belle de Jour and Belle Toujours
Belle de jour
Bemused
Benjamin Smoke
Berkeley in the Sixties
Best Seller
Betrayed
Better Luck Tomorrow
Betty Boop Scandals
Beyond Bush-Bashing [BOB ROBERTS]
Beyond the Blurbs
Big
Biloxi Blues
Bird Watching
Bird
Bites of Reality
Bitter Moon
Bitter Victory
Black Book
Black Cat, White Cat
Black Window: Cornell Woolrich and Movies
Black to the Promised Land
Black-And-White World [BLACK GIRL]
Blackmail
Blade Runner: The Director’s Cut
Blaude: Trinity
Blindsided [ELEPHANT]
Blood Diamond
Blood on His Hands [GANGS OF NEW YORK]
Blue-eyes Is Back [LAWRENCE OF ARABIA]
Bob Roberts
Bobby
Body Parts
Body Snatchers
Boogie Nights
Both Sides Now [THE CEREMONY]
Bottle Rocket
Boynton Beach Club
Boyz N the Hood
Bram Stoker’s Dracula
Brand New Angles (2/DUO)
Brand Upon the Brain!
Bravery in Hiding [on LUMIÈRE D’ÉTÉ and LE CIEL EST À VOUS]
Brazen Hymns
Bread and Roses
Breaking In
Brick and Mirror
Bridge Over Troubled Water [THE GRADUATE]
Bright Leaves
Bright Spots in the Darkness [My 1998 Top Ten List]
Brightness (Yeleen)
Brilliant Inaccuracies
Bringing Back the Depression Musical
Broken Flowers
Brother’s Keeper
Bubble
Buccaneer Soul
Bull Durham
Bullet on a Wire
Bulletproof Heart
Bunuel’s Neglected Masterpiece
Buried Clues (LA PROMESSE)
Bushwhacked Cinema
Butterfly Kiss
Buyer Beware
Caged
Call Me Madam
Camp Thiaroye
Can Films Be Fascist?
Cane Toads: An Unnatural History/Films by Jane Campion
Capote
Capturing the Friedmans
Careful
Carmen Miranda: Bananas Is My Business
Carnal Capital [MASCULINE FEMININE & THE GIRL FROM MONDAY]
Carpenter’s Gothic [IN THE MOUTH OF MADNESS]
Cassandra Cat
Cassavetes’ Prelude and Postscript
Casualties of the Mass Market [THE VOICE OF THE MOON & CASINO]
Catching Up with Godard (an interview)
Catching Up with the World
Celebrity Guest [MISERY]
Celine and Julie Go Boating
Chain of Desire
Chains Of Ignorance [NIGHTJOHN]
Chances Are
Changing Times
Character Flaws [MAJOR PAYNE]
Charleen
Charlie and the Chocolate Factory
Charming Curse
Chasing Amy
Cheap Thriller [13 (TZAMETI)]
Cheap Thrills [ROAD TO PERDITION]
Check Your Baggage [CRIMSON GOLD]
Chicago International Film Festival
Chicago Joe and the Showgirl
Chicago’s Own
Chicago’s Own
Chicken and Duck Talk
Children of the Revolution
China, My Sorrow
Chinese Puzzle [ASHES OF TIME]
Choreography With a Camera [on Ruiz’s MAMMAME] (upgraded)
Christmas in July; and The Palm Beach Story
Chronicle of a Disappearance
Chung Kuo China
Chungking Express
Chunhyang
Cinecopia Part 2
Cinecopia
Cinema Glut: Here Comes the 28th Chicago International Film Festival
Cinema Sprawl
Cinema as a Social Act [THE ILLUSIONIST]
Cinematic Obsessions [THE GANG OF FOUR and SANTA SANGRE]
Cinema’s Secret Garden — The Amateur as Auteur
Circle’s Short Circuit
City Without Tears
City of Angels (on WINGS OF DESIRE)
City of Ghosts
City of Hope
City of Sadness
Clip Art
Clockwatchers
Close My Eyes
Close-Up
Close-up
Code Unknown
Coffee and Cigarettes
Cold Fever
Cold Heaven
Cold Mountain
Collateral
Collected Consciousness [on MYSTERIOUS OBJECT AT NOON]
Colonial Imaging: Early Films From the Netherlands Film Museum
Comeback Kid [LITTLE BUDDHA]
Comic Book Confidential
Coming Out Under Fire
Commercial Correctness
Commissar
Communication Breakdown [SPANGLISH]
Complaints of a Dutiful Daugher and Fast Trip, Long Drop
Complicated Characters
Compression Editing
Comrades, Almost a Love Story
Confetti
Consider the Source
Control Room and Route 181: Fragments of a Journey in Palestine-Israel
Cop-Out [DARK BLUE]
Cornucoppola [BRAM STOKER’S DRACULA]
Correction
Country Life
Cousin Bobby
Coverup: Behind the Iran-Contra Affair
Cowards Bend the Knee
Crap Shooting [SNAKE EYES]
Crash
Crass Consciousness (BARTON FINK)
Crass Consciousness [EDTV]
Creosote and More: Videos by Eric Saks
Crimes of Passion [POISON]
Criminal Genius
Critic With A Camera
Crouching Tiger, Hidden Dragon
Crying in Their Beer (THE SADDEST MUSIC IN THE WORLD)
Cuadecuc-Vampir
Cult Confusion (HAPPY TOGETHER)
Cult of Personality (LET’S GET LOST)
Curtis’s Charm
Cutting Heroes Down to Size [SMALL SOLDIERS & SAVING PRIVATE RYAN]
D.O.A.
DESERET
DUELLE: Notes on a First Viewing
Da
Daddy Nostalgia
Daisies
Dallas Doll
Damnation
Damned in the USA
Dark Days
Dark Heart
Darkman
Day of Wrath
Days of Being Wild
Dead Alive
Dead Man Walking
Dead Ringers
Deadly Currents
Dear Frankie
Death and Life [on Alexander Dovzhenko]
Death and the Maiden
Death by Hanging
Death of a Cyclist
Decalogue
Deep Blues
Deep Cover
Deep in the Tarr Pit [THE TURIN HORSE]
Deep Valley
Defending Bresson
Delivered Vacant
Democracy Through the Looking Glass [SECRET BALLOT]
Demonlover
Desolation Angels
Desperate Characters [BOILING POINT and BODIES, REST & MOTION]
Desperate Measures [OUT OF SIGHT & THE BRIGANDS: CHAPTER VII]
Deux fois
Devi
Devil in a Blue Dress
Dialogues With Madwomen
Dick
Did They Buy It?: Nicaragua’s 1990 Elections
Dim Wits, Small Potatoes
Dirk Bogarde: By Myself
Disjointed [MO’ BETTER BLUES]
Disjointed
Disposable Heroes [BREAKDOWN & NIGHT FALLS ON MANHATTAN]
Distant
Divine Inspiration (THE APOSTLE & KUNDUN)
Divorce Iranian Style
Do Yourself a Favor [HOUSE OF CARDS]
Documentaries on Paradjanov and Mamoulian
Dogmatic Subterfuge [THE CELEBRATION]
Doing the Hustle (DANCER IN THE DARK)
Dolls
Dolores Claiborne
Don Juan DeMarco
Donna Rosebud
Don’t Bother to Knock
Don’t Judge a Film by Its Venue [BLACK BOOK & OFFSIDE]
Don’t Worry, Be Unhappy [SEVEN]
Double Bind
Double Dealing [THE FISHER KING]
Double Deals [BIG BUSINESS & RED HEAT]
Double Happiness
Double Messieurs
Dracula: Pages From a Virgin’s Diary
Dragged Under
Dream On (THE DREAMERS)
Drugstore Cowboy
Dubbed and Dubber (CAN DIALECTICS BREAK BRICKS?)
Dust in the Wind
D’est
Eadweard Muybridge, Zoopraxographer
East Side Story
Eastern European Documentaries: Czechoslovakia and the USSR
Eastern Promises
Ebrahim Golestan (three capsule reviews & one essay)
Echoes of Old Hollywood [DESTINY & THE ADOPTED SON]
Ecotalk [MINDWALK]
Ecstasy
Ed Wood
Edward II
Edward Said: The Last Interview
El Cid
El sur
Ellipses Reels 1-4
Elvis ‘56
Emma and Elvis
Emotional Striptease [EXOTICA]
Employees Entrance
Endless Love [NIGHT AND DAY]
Endless Possibilities [on PUMPKIN]
England From the Inside
Enigma
Entertainment as Oppression
Ere Erera Baleibu Icik Subua Aruaren
Eternal Sunshine of the Spotless Mind
Eternity and a Day
Ethereal Girl [WHO’S THAT GIRL]
Eurofilm [Kieslowski’s BLUE]
Every Man for Himself: The Films of Maurice Pialat
Every Man for Himself: The Films of Maurice Pialat
Everywar [THE RAGGEDY RAWNEY]
Exalting the Everyday [CHANTAL AKERMAN BY CHANTAL AKERMAN]
Excessive Use of the Force
Exiles in Modernity
Exotica
Eye Candy
Eye Openers
Eyes Wide Shut
Eyes Without a Face
F for Fake
Faat-Kine
Fables of the Reconstruction: The 4-Hour GREED
Faces
Fact Is Stranger Than Fiction
Fahrenheit 9/11
Faithless Re-creation
Falkenau, the Impossible: Samuel Fuller Bears Witness
Falling Down, Walking, Destroying, Thinking: A Conversation with Béla Tarr
False Idol [NIXON]
Familiarity Breeds Contempt [SCOOP]
Family Life/La pirate
Family Values [REQUIEM FOR A DREAM]
Family Viewing
Far From Heaven
Far and Away
Farewell My Concubine
Fascinating Rhythms [M]
Fast Food Nation
Fast, Cheap & Out of Control
Fat Man and Little Boy
Fear and Trembling
Fear of Feeling [THE ACCIDENTAL TOURIST]
Fear of Feminism (FATAL ATTRACTION)
Fear
Feast From the East [Oshima’s GOHATTO]
Feeling the Unthinkable (25TH HOUR)
Female Perversions
Female Trouble [MONKEY SHINES: AN EXPERIMENT IN FEAR]
FernGully…The Last Rainforest
Fest or Famine
Festival of Animation
Feudal Attraction [JU DOU]
Fierce Creatures
Fifteen
Figuring Out DAY OF WRATH
Fill in the Blanks
Filling in the Blanks [LE SAMOURAI & THE BIRTH OF LOVE]
Film Capital of the Week
Film Festival Previews
Filmes by Barbara Hammer
Films From Lebanon
Films by Apichatpong Weerasethakul
Films by Ernst Lubitsch
Films by Frank Tashlin
Films by Fred Marx
Films by Lewis Klahr
Films by Luc Moullet
Films by Michaelangelo Antonioni
Films by Pere Portabella
Films by Vincent Grenier
Films of the Future [on Pedro Costa]
Final Accord
Final Bow
Fire From the Mountain
First Love, Last Rites
Five Easy Pieces [NIGHT ON EARTH]
Flaming Creatures
Flash and Filigree [MINORITY REPORT]
Flat is Beautiful
Flirt
Flirting with Disaster
Flirting
Flying: Confessions of a Free Woman
Food Alert
Food, Sex, and Death [TAMPOPO]
Ford Transit
Forevermore: Biography of a Leach Lord
Form Counts [MIX-UP, ANATOMY OF A RELATIONSHIP, & GAP-TOOTHED WOMEN]
Four Adventures of Reinette and Mirabelle
Four Rooms
Frameup
Free to Roam [DR. AKAGI]
Freedom on My Mind
Freeze–Die–Come to Life
French Provincial [POULET AU VINAIGRE]
French Revelations [on LE DIVORCE]
French for Beginners (UN AIR DE FAMILLE)
Fresh Clues to an Old Mystery [THE BIG SLEEP]
Friends With Money
From Iran With Love
From the Journals of Jean Seberg
Full Metal Jacket
Full Moon Over Blue Water
GERTRUD as Nonnarrative: The Desire for the Image
Gabbeh
Geishas Without Diaries
Germany Year 90 Nine Zero
Gertrud
Get Shorty
Getting It Both Ways (AMERICAN BEAUTY)
Getting It Right
Getting Personal
Ghetto Theater [HANGIN’ WITH THE HOMEBOYS]
Ghost World
Ghosts of Hollywood [THE DECAY OF FICTION]
Gideon’s Day
Girls Can’t Swim
Give Up the Gimmick [MELINDA AND MELINDA]
Glengarry Glen Ross
Glimpse of a Rare Bird [on Boris Barnet] (upgraded)
Glory
Go Fish
Go Further
Godard Talking to Himself
Godard in the Age of Video [SOFT AND HARD]
Godfather and Son [on THE FRESHMAN]
Good Clean Trash [SCANDAL]
Good Cop, Bad Cop (MIAMI BLUES & Q&A)
Good Men, Good Women
Good Vibrations (WAKING LIFE)
Goodbye Cinema, Hello Cinephilia
Goodbye Susan, Goodbye: Sontag and Movies
Goodbye, Dragon Inn
Gosford Park
Government Lies
Grand Illusion
Grass
Great Freaks of Nature [GREAT BALLS OF FIRE]
Greed
Green on Thursdays
Ground Zero
Guimba the Tyrant
Gunner Palace
HISTORICAL MEDITATIONS IN TWO FILMS BY JOHN GIANVITO
Hack Attack [THE SECRET WINDOW]
Hack Job
Hag Bashing [DEATH BECOMES HER]
Half Nelson
Halfaouine–Boy of the Terraces
Halloween: 0
Hamlet
Hamlet
Handmade Realism [BELL DIAMOND]
Happiness and Letter From Siberia
Hard Eight
He Got Game
He Ran All the Way
He Said, She Said
Heading South
Hearing Voices [JUNGLE FEVER]
Heartbreak Motel [on TAPE]
Hearts of Darkness: A Filmmaker’s Apocalypse
Heat
Heaven Can Wait
Heaven Can Wait
Heaven
Heavy Plotting [MY NEW GUN]
Helas pour moi
Hell on Wheels
Hellzapoppin’
Hell’s Heroes
Henry V
Here and Elsewhere
Hey Babu Riba
He’s So Heavy [COLD HEAVEN]
Hide and Seek
High Art
High Attitude [TRUTH OR DARE & DICE RULES]
High Hopes
High Infidelity
High Season
Highway Patrolman
His 20th Century [HISTOIRE(S) DU CINÉMA & MONTPARNASSE 19]
His Master’s Vice [WHITE DOG]
History Happens
History and Love [THREE TIMES]
Hit or Myth [WACO: THE RULES OF ENGAGEMENT]
Hollywood Confidential [THE CAT’S MEOW]
Hollywood From the Fringes
Hollywood Mon Amour
Hollywood Types [THE MODERNS]
Hollywood Unchained
Hollywoodland
Home Remedy
Home Truths
Homecoming
Homegirls: New Work by Chicago Women and Girls
Honey, I Shrunk the Kids
Honey
Hoodlum Soldier
Hoodlum
Hooey for Hollywood [on THE PLAYER]
Hook and Crook [HOOK & BUGSY]
Hoop Dreams
Horror Show [CYCLO]
Hot Blood
Hot Links
Hot Shots!
Hotel Monterey
Hotel Terminus
House of Games
How Are the Kids?
How This World Works
How to Capture an Artist [SYLVIA & IN THE MIRROR OF MAYA DEREN]
How to Read a Movie
How to Read the Revolution [BLUSH]
How to Write a $3 Million Script [BASIC INSTINCT]
How to make an American Quilt
Howl’s Moving Castle
Hoxsey: How Healing Becomes a Crime
Hu Du Men
Huckleberry Fem
Human Resources
I Like It Like That
I Shot Andy Warhol
I, Robot
ICONS OF GRIEF: VAL LEWTON’S HOME FRONT PICTURES (book review)
IL CINEMA RITROVATO DVD AWARDS 2012
Ideal Women [THE FAMINE WITHIN]
Identity Politics
Il ladro di bambini
Image Problem [HONEYDRIPPER]
Images of the World and the Inscription of War
Imagine the Sound
Imitation Flavors
Impromptu
Improvisations and Interactions in Altmanville
In Claude We Trust [THE ACCOMPANIST]
In Defense of Non-Masterpieces
In Dreams Begin Responsibilities (EYES WIDE SHUT)
In Loving Memory (THE SON OF GASCOGNE)
In My Country
In Space, No One Can Hear You Sweat [Soderbergh’s SOLARIS]
In Stalin’s Shadow (on Dovzhenko)
In a World of His Own [on RUSHMORE]
In the City of Sylvia/Some Photos in the City of Sylvia
In the Company of Men
In the Company of Women [THE BUSINESS OF STRANGERS]
In the Mood For Love
In the Name of the Father
In the Soup
In the Valley of Elah
India Matri Bhumi
Infamous
Inner Space [SOLARIS]
Inside Pitches
Inside/Out
Interkosmos
International Sampler (GHOST DOG: THE WAY OF THE SAMURAI)
Interplanetary Postmodernism [EARTH GIRLS ARE EASY]
Interrogating the 60s [on THE SECOND HEIMAT]
Intolerance
Introduction to the Chinese Edition of MORE THAN NIGHT
Invitation to the Trance [SLEEPWALK]
Involuntary Geniuses [THE TIC CODE]
Iranian Sights [LIFE AND NOTHING MORE]
Iraq in Fragments
Irma Vep
Is It Life, or Is It Media? (THE ICICLE THIEF)
Ishtar
Island of the Dead
It All Adds Up [FOUR CORNERS]
It
It’s All About Us
It’s All True: Based on an Unfinished Film by Orson Welles
It’s My Party
It’s a Big World After All [The Best Movies of 2001]
It’s a Mall, Mall World [CHAIN]
Ivan the Terrible
I’ll Undo Everything [I’LL DO ANYTHING]
Jackie Brown
Jacob’s Ladder
Jacques Rivette, le veilleur
Jacques Tati’s TRAFIC on Criterion DVD
Jacquot
Jaguar
James Benning’s CALIFORNIA TRILOGY
Jamon Jamon
Jazz on a Summer’s Day
Jean Renoir, the Boss: The Direction of Actors
Jean Renoir’s Trilogy of Spectacle
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
Jerks Like Us (GROSSE FATIGUE)
Jet Lag
Jit
Joan the Maid: The Battles and Joan the Maid: The Prisons
Joe Dante Calls the Toon
Joe Gould’s Secret
Joe Versus the Volcano
John Carpenter’s Ghosts of Mars
John Edgar Hoover and the Great American Inquisitions
Jon Jost in Chicago
Joris Ivens’s Labor-Intensive Industrials
Jour de fete
Judex
Jungle Fever
Junket Bonds
Juve vs. Fantomas
Kairat
Kandahar
Katzelmacher
Keep Your Right Up
Kids’ Stuff [THE HUDSUCKER PROXY]
Kieslowski’s RED
Killer of Sheep
Kim Novak as Midwestern Independent
King Lear
King of Chess
King of the Hill
King of the Hill
Kings and Queen
Kings of the Sky
Kinsey
Kiss or Kill
Knocks at My Door
Krzysktof Kieslowski: I’m So-So
Kull the Conqueror
Kundun
Kung Fu Master!
Kwik Stop
L.627
L.A. Existential
L.A. Residential (THE BIG LEBOWSKI & TWILIGHT)
LE VRAI COUPABLE: Two Kinds of Criticism in Godard’s Work
LOVE ME TONIGHT and MULHOLLAND DRIVE
La Belle Noiseuse
Lady Chatterley
Lady in White
Ladybird, Ladybird
Laid But Lonely [ME AND YOU AND EVERYONE WE KNOW, OR, & SAMARITAN GIRL]
Lamerica
Land and Freedom
Landscape Suicide
Larks on a String
Lassie
Last Day in Chicago
Last Days of the Film Festival
Last Orders
Latcho Drom
Laurel Canyon
Lawrence of Arabia
Laws of Gravity
Le paltoquet
Lemming
Leola
Les Statues Meurent Aussi (Statues Also Die)
Les Vampires
Les bonnes femmes
Les destinees
Less Than Transgressive [9 SONGS]
Lessons From a Master
Letter from Chicago
Letter to the Next Generation
Letters From Iwo Jima
Letters Not About Love
Liar Liar
Liberals Kick Ass [THEY LIVE]
Liberals in Hiding [RUNNING ON EMPTY]
License to Feel (DISTANT VOICES, STILL LIVES)
Lie Lady Lie [HOUSESITTER]
Lies About Lying (INFAMOUS)
Lies and Death
Lies of the Mind [TALKING TO STRANGERS]
Life Intimidates Art [IRMA VEP]
Life Is Cheap . . . but Toilet Paper Is Expensive
Life Is Sweet
Life Stinks
Life and Death in China [THE DAY THE SUN TURNED COLD]
Life and Debt
Life and Nothing More . . .
Life and Nothing More
Life in Shadows
Life of a Salesman [DIAMOND MEN]
Life on the Edge [DRIFTING CLOUDS]
Lifting the Veil
Light Fantastic [THE LIGHTED FIELD]
Light It Up
Lightening Over Braddock
Like Water for Chocolate
Lines of Fire
Listening Party [on eight jazz films]
Listomania
Little Dorrit
Little Man Tate
Lives of Performers
Living in Oblivion
Locked Up in Time
Lola
Lonesome
Longtime Companion
Looking Back in Anger [STAR SPANGLED TO DEATH]
Looking Down on the Little People [RADIO DAYS]
Looking for Comedy in the Muslim World
Looking for Fun
Looney Tunes Hall of Fame
Lord Love a Duck
Lord of War
Lorenzo’s Oil
Los Angeles Plays Itself
Los Muertos
Losing Focus
Lost Angels
Lost In Their Parts [THE ANNIVERSARY PARTY]
Lost in THE FOG OF WAR
Lost in Translation [THE LOST CITY]
Lost in the Desert [THE SHELTERING SKY]
Lost in the Shuffle [THE DEEP END OF THE OCEAN]
Lost in the Woods [BOOK OF SHADOWS: BLAIR WITCH 2]
Lout of Africa [WHITE HUNTER, BLACK HUNTER]
Love Among the Ruins [SPRINGTIME IN A SMALL TOWN]
Love Films: A Cassavetes Retrospective
Love Your Mama
Love Your Mama
Love and Death on Long Island
Love and Money, Mostly Money
Love and Politics [THE RUSSIA HOUSE & HAVANA]
Love at Large
Love in the Time of Terror
Love in the Time of Thatcherism
Love to Hate (THE BELIEVER)
Love
Loyalties
Luck of the Draw
Lust Horizon [A WINTER TAN]
L’Enfant
L’amour fou
L’etrange Monsieur Victor
Magnificent Repression [on FAR FROM HEAVEN]
Major Dundee
Make Way for Tomorrow
Malick’s Progress
Manhattan by Numbers
Mann of the West
Manufacturing Consent: Noam Chomsky and the Media
Marci X
Maria Full of Grace
Marilyn Monroe’s Brains
Mark Rappaport
Martha
Martin (Hache)
Marty
Masked and Anonymous
Master Thief (FEMME FATALE)
Master of Reality (updated, 1/13/2010)
Max Mon Amour
May the Formula Be With You
Me and You and Everyone We Know
Mean And Meaner [DUMB AND DUMBER & COBB]
Meantime
Meet the Parents
Menace II Society
Merry Widow [THE WIDOW OF SAINT PIERRE]
Mes petites amoureuses
Metaphysical Pop [THE MUSIC OF CHANCE]
Metaphysical [on Robert Frank’s C’EST VRAI!/ONE HOUR]
Metaphysics and Slapstick [THE ADVENTURES OF BARON MUNCHAUSEN]
Metropolitan
Mi Vida Loca
Micromorality [CASUALTIES OF WAR]
Mikey and Nicky (liner notes)
Millers’ High Life
Million Dollar Baby
Mindless Kicks [RUMBLE IN THE BRONX & BROKEN ARROW]
Miracle Mile
Mirror on the Moon
Mise en Scène as Miracle in Dreyer’s ORDET
Miserable Mistake
Missing the Target
Mississippi Burgling
Mixed Emotions (BREAKING THE WAVES)
Modern Times
Monbo – or the Gentle Art of Japanese Extortion
Money Changes Everything [HYENAS]
Monster House
Moolaade
Moonfleet
Moonstruck
Morality Movies
Mortu Nega
Mostly Martha
Mother Courage and Her Children and History Lessons
Mother and Son
Mother
Motion and Emotion: The Films of Wim Wenders
Moullet retrouvé
Movie Heaven [DEFENDING YOUR LIFE]
Mr. & Mrs. Bridge
Mr. Freedom
Much Ado About Nothing
Multinational Pest Control [STARSHIP TROOPERS]
Muse Abuse [LIGHT SLEEPER]
My Brother’s Wedding
My Filmgoing in 1968: An Exploration
My Left Foot
My Movies, Myself [VENICE/VENICE]
My Own Private Idaho
My Sex Life…or How I Got Into an Argument
Mystery Train
Mythic Mission [BLACKBOARDS]
Myths of the New Narrative (and a Few Counter-Suggestions)
Nadja
Nagisa Oshima: The Man Who Left His Soul on Film
Naked Lunch
Naked Spaces–Living Is Round
Naked
Narita: Heta Village
National Stereotypes and Expatriates (2008)
Neither Noir [KISS OF DEATH & THE UNDERNEATH]
New Festival of Animation
“New Hollywood” and the 60s Melting Pot
New Perspectives (LETTERS FROM IWO JIMA & THE DEAD GIRL)
New Rose Hotel
New Videos by George Kuchar
New Works by Jean-Luc Godard
Next of Kin
Nice Bombs
Nick of Time
Night Moves
Night on Earth
Nina Simone, Love Sorceress
Nine Letters to Berta
No Joke [MYSTERY SCIENCE THEATER 3000: THE MOVIE]
No Man’s Land
No More Sweets for You
No Stars: A Must-See [THE PLOT AGAINST HARRY]
Nobody Here But Us
Nobody’s Business
Noises Off
Not Coming Soon to a Theater Near You
Not Dead Yet
Not Different, Just Not the Same
Not the Same Old Song and Dance
Nothing but a Man
Notre musique
Novel Approach [ULEE’S GOLD]
November Days: Voices and Choices
Nowhere Man [TIME OUT]
Number 17
Nurse Betty
Nuts
October Surprise
Odd Couplings [BODY OF EVIDENCE & DAMAGE]
Off Color [Kieslowski’s WHITE]
Off Limits
Offside
Ohayo
Oleanna
On Mohsen Makhmalbaf
On Second Thoughts [THE LAST BOLSHEVIK]
On WINSTANLEY
On the Bridge
Once Around
Once Upon a Time, Cinema
One Fine Day
One Way Boogie Woogie/27 Years Later
One man’s meat is another man’s Poisson (GRAVITY’S RAINBOW)
One-Man Armada
Onion City Experimental Film and Video Festival
Onion City Experimental Film and Video Festival
Onion City Film Festival
Onion City Film Festival
Onion City Film Festival
Onion City Film Festival
Open Doors
Open Range
Open Spaces [THE NEWTON BOYS]
Opening Night
Operation Condor
Or
Oriental Elegy
Othello Goes Hollywood (On Orson Welles’ OTHELLO)
Othello
Othello
Oui non
Our Girl in Burma
Our Heroes (QUIZ SHOW)
Our Man in Nicaragua
Ousamane Sembene
Out 1: Spectre
Out 1
Out To Sea
Out of the Darkness [Endfield’s INFLATION & THE ARGYLE SECRETS]
Outfoxing the Film Industry
Outsider Artists
Overrated Solutions [L’HUMANITÉ]
Packaged Parables (GABBEH & SHE’S SO LOVELY)
Painter Pics [FRIDA & THE WOLF AT THE DOOR]
Painter at Work
Pale Noir [TRIXIE]
Palombella Rosa
Paradise Lost
Paradjanov on DVD
Paranoid Illusions [THE MANCHURIAN CANDIDATE]
Paranoid Park
Paris Is Burning
Paris Journal, Fall 1971 (Demy, Pollet, Franju, Tati, Rivette)
Park Row
Park Row
Partners in Crime [THE GINGERBREAD MAN]
Pasolini’s Second Coming [on MAMMA ROMA]
Passe-Compose
Passing Fancy
Passions; Three Stories
Past Imperfect [IN PRAISE OF LOVE]
Past Lives, Present Puzzles [on UNIVERSAL HOTEL & EL MOVIMIENTO]
Pather Panchali
Paths of Glory
Patience Pays Off [I’M GOING HOME]
Peggy and Fred in Hell: The Complete Cycle
Peggy and Fred in Hell
Peking Opera Blues
Performance Art Videos, Part I
Performance Art [TORCH SONG TRILOGY & TALK RADIO]
Peter Pan
Phantom India
Piccadilly
Picture of Light
Pieces of Masterpieces [MEDEA & SUNDAY]
Pieces of the Action (RUN LOLA RUN)
Pineapple
Pink Cadillac
Pink Panther, Dead Horse
Pistol Opera
Platform
Playing by Heart
Playtime
Pleasantville
Plumbing the Shallows
Poet of Loneliness (WHAT TIME IS IT THERE?)
Poetry in Motion [THELMA & LOUISE]
Poison
Pola X
Popcorn Punditry [THE DAY AFTER TOMORROW]
Portabella in the U.S.
Portfolio Without Artist [JOHN HUSTON & THE DUBLINERS]
Possession
Postcards From the Edge
Potent Pessimism [on Cy Endfield]
Potential Perils of the Director’s Cut
Power Surge
Powwow Highway
Praise
Precious Leftovers (THE GLEANERS AND I)
Pregnant Pas [MARY SHELLEY’S FRANKENSTEIN & JUNIOR]
Prerevolutionary Russian Films
Presumed Guilty
Presumed Innocent
Pretty Vacant
Prewar Jitters [on Lang’s MAN HUNT]
Prime
Prince of Darkness
Princess Mononoke
Prisoners of War
Private Fears in Public Places
Privileged Moments (REMBRANDT LAUGHING)
Profit Motive and the Whispering Wind
Proof
Providence
Public Housing
Pure Heroine [TANK GIRL]
Purple Noon
Putting Back the Ritz
Quack to the Future
Queen of Hearts
Quick Change Artists
Quick Change
Quo Vadis
R.I.P. Arthur Penn 1922-2010
RE-Defining Video: Work by Kyle Canterbury
RED PSALM (1971)
Racism Here and Now (BETRAYED)
Ragged But Right [on UP DOWN FRAGILE]
Raise the Red Lantern
Raising Victor Vargas
Rambling Rose
Rampage
Rare and Revelatory
Reading about Looking and Looking at Reading: review of CAMERA LUCIDA and IF ON A WINTER’S NIGHT A TRAVELER
Reading: Pynchon’s Prayer
Real Horror Shows [EYES WITHOUT A FACE & THE KINGDOM]
Reality Bites [THE THIRTEENTH FLOOR]
Reality Shows
Reasons for Kicking and Screaming
Reasons to Be Cheerful (Part Two)
Reasons to Believe [SEE YOU IN THE MORNING & SAY ANYTHING…]
Recycled Cinema
Red Angel
Red Bridge to Australia [on CHILDREN OF THE REVOLUTION]
Red Desert
Red Desert
Red Desert
Red Desert
Red Lotus Society
Red Sorghum
Red Tape [THE STORY OF QIU JU]
Redeemable for Cash: The Damned and the Saved
Redirecting the Canon [RED HOLLYWOOD]
Rediscovering ALI: FEAR EATS THE SOUL
Redrawing History [POCAHONTAS]
Reel Life: Richard Pena’s Film Center Testament
Reflection in a Mirror
Reichsautobahn
Reinventing the Present [10]
Reinventing the Present [PUMP UP THE VOLUME]
Remaking History [on SHULIE]
Rembrandt Laughing
Remember Amnesia? [ARCHANGEL]
Remember My Name
Remembering Ron
Remembrance of Things to Come
Reminiscences of a Journey to Lithuania
Resistance Is Futile
Restored to Power
Return Trip Tango
Return to Beauty [BEYOND THE CLOUDS]
Return to Paradise
Reunion
Revenge Is Bitter [BUFFALO ‘66]
Reverence for Things Past [MY FATHER’S GLORY]
Reveries and Elegies
Review of David Bellos’s JACQUES TATI
Review of SEARCHING FOR JOHN FORD
Review of THEORY OF FILM PRACTICE (1974)
Reviews of Two Terrence Malick Films
Revisiting THE GODFATHER
Rick Moranis Gets Short Shrift
Riddles of a Sphinx
Riff-Raff
Right On! The Original Last Poets
Rita, Sue and Bob Too
Ritalin Rebellion [CHARLIE BARTLETT]
Ritwik Ghatak: Reinventing the Cinema
River of Grass
Rivette’s Rupture (DUELLE and NORÔIT)
Road and The Firm
Roadside Prophets
Roberto Rossellini’s Belly
Robin Wood’s Final Top Ten
Rock Bottom
Rock Criticism
Rock Hudson’s Home Movies
Rock N’ Roll Fantasies
Rocking the Vote
Roger Corman’s Frankenstein Unbound
Roman Polanski and The Catastrophe of Public Discourse
Romance of the Ordinary [on Chantal Akerman]
Romy and Michele’s High School Reunion
Rosenbaum’s List
Rouch in Reverse
Rough Magic
Route One/USA
Ruby in Paradise
Rude Awakening
Runaway Jury
Rushmore
Russian Ark
Russian Dolls
SPRINGTIME IN A SMALL TOWN: A Reinvented Remake
Sabrina
Safe Conduct and La nuit fantastique
Salt of the Earth
Salto
Salut cousin!
Samantha
Same Old Lefty Claptrap [SILVER CITY]
Same Old Song
Sangkuriang
Sankofa
Sans soleil
Saraband
Satire in Action [15 MINUTES]
Savage Nights
Saved!
Say the Right Thing
Saying It With Stars
Scared New World
Scenes Not From a Mall [MY COUSIN VINNY & WHITE MEN CAN’T JUMP]
School Daze
School of Rock
Scopophilia
Scorn in the USA [RISING SUN]
Searching for Bobby Fischer
Searching for Taiwan [THE PUPPET MASTER]
Seated Figures
Second Thoughts on Stroheim
Secret Ballot
Secret Defense
See You in the Morning
See the World
See the World
Seeing Right Through Us [HOLLOW MAN]
Set Me Free
Seven Chances
Sex Drive [on CRASH]
Sex Games [on Polanski’s BITTER MOON]
Sex and Drugs and Death and Writing
Sex and the Single Codger (THE LAST GOOD TIME)
Sex and the Single Guy
Sextette
Sexual Discourse [THE PIANO]
Sexual Healing [ROMANCE]
Shadows of Our Forgotten Ancestors
Shadows
Shattered Image
She-Devil
Shine
Shirin
Shoot for the Contents
Short Cuts
Short Films
Short Films
Short films, program one
Shortcuts to Happiness [SECRETS AND LIES]
Shouts and Murmurs [MONDAY MORNING & CHIWASEON]
Sicko
Sidewalk Stories
Sign and Cinema [IN THE LAND OF THE DEAF]
Sign o’ the Times
Silents Are Golden (Silent Ozu)
Simple Men
Simple Slimeballs [DANGEROUS LIAISONS]
Sir! No Sir!
Sirens
Sirk’s Works
Six Degrees of Separation
Sixty Minutes
Skirt Power
Slacker
Sleep With Me
Slum Chums [LIFE STINKS]
Small Soldiers
Smart Weapons [TERMINATOR 2: JUDGMENT DAY]
Smell of Camphor, Fragrance of Jasmine
Smell of Camphor, Fragrance of Jasmine
Smoke and Mirrors
Snowbound: A Dialogue with a Dialogue
So Many Movies, So Little Time
Social Climbing (THE AGE OF INNOCENCE)
Social Criticism
Soft and Hard
Solaris
Someone to Love
Something to Talk About
Something’s Missing
Song of the Exile
Songs in the Key of Everyday Life [THE UMBRELLAS OF CHERBOURG]
Soul Brothers (A FAMILY THING)
Southern Sleaze
Spartacus
Spike Lee Sees It All
Split-Level Comedy
Splitting Images [THREE LIVES AND ONLY ONE DEATH & LOST HIGHWAY]
Spoiler Alert [ROADS OF KIAROSTAMI]
Springtime in a Small Town
Spur of the Moment
Squaring the Circle
Stalker
Stan Brakhage (1933-2003): In Memoriam/In Celebration
State of the Art [on TIME CODE & KHROUSTALIOV, MY CAR!]
Stavisky
Stealing Beauty
Steve Lacy: Lift the Bandstand/Jackie McLean on Mars
Still Circling
Stone Reader
Stormy Monday
Stormy Relations [Michael Almereyda’s TWISTER]
Storytelling/Artist on Fire
Straight Ahead, on the Left
Straightman
Strand: Under the Dark Cloth
Strange Bedfellows [on NANOU & WE THE LIVING]
Strange Weather
Strangeness on a Train [on von Trier’s ZENTROPA/EUROPA]
Strangers in Elvisland [MYSTERY TRAIN]
Stuck, But Slippery [STUCK ON YOU]
Studies in Weightlessness [THE THOMAS CROWN AFFAIR]
Stupidity as Redemption [FORREST GUMP]
SubUrbia
Summer Camp [STAR WARS: EPISODE 1 — THE PHANTOM MENACE & TREKKIES]
Summer of Sam
Surprises at Cannes: Huston redeemed, Tashlin reincarnated (1972)
Survey Of A Sadist [Films by Rainer Werner Fassbinder]
Susan Slept Here
Suture
Sweet Outrage [SCOTCH TAPE & FLAMING CREATURES]
Sweet Sixteen
Sweet and Lowdown
Sweetie
Sweetie’s Secret
Sylvia Scarlett
Sylvia
Symbol Life [SWAN LAKE — THE ZONE]
Syndromes and a Century
SÁTÁNTANGÓ at 15
THE DEER HUNTER: Flabby Beyond Belief
THE GOLD DIGGERS: A Preview
THE KID WITH A BIKE and Some Other Recent Art Movies
THE NUTTY PROFESSOR: Jerry Lewis’s Masterpiece
TRAINSPOTTING
TV Films by Alexander Kluge
TV Films by Alexander Kluge
TV Guise [AS GOOD AS IT GETS]
Tabu
Take Two: THE 5,000 FINGERS OF DR. T.
Tales From the Winnipeg Film Group
Tales from the Vault
Tales of Ordinary Madness (on Yasuzo Masumura)
Tales of the Rat Fink
Talking Back to the Screen (Toronto 1992)
Talking Pictures: Scott MacDonald on Cinema 16
Tap
Taste Of Cherry
Teenage Mutant Ninja Turtles
Teenage Wasteland [BATMAN RETURNS]
Teenage Wasteland [CRUEL INTENTIONS]
Telling Lies in America
Temptress Moon
Ten Skies
Teorema
Texasville
That Old Feeling
That’s Entertainment III
The 12-Hour Masterpiece
The 31 best movies of 1994
The 5,000 Fingers of Dr. T.
The Accused
The Actor
The Actual Definitive Ultimate Director’s Cut (BLADE RUNNER: THE FINAL CUT)
The Addiction
The Adventures of Sharkboy & Lavagirl in 3-D
The Advocate
The Age of Innocence
The American Gaze
The Angel’s House
The Apostle
The Apple
The Asthenic Syndrome
The Attractions and Perils of Internationalism (2007)
The Audience is Us (THE TRUMAN SHOW)
The Aura
The Battle of Algiers
The Beat That My Heart Skipped
The Best Years of Our Lives
The Best is Yet to Come
The Best of Both Worlds [A.I. ARTIFICIAL INTELLIGENCE]
The Best of the Fest
The Big Easy
The Big Picture
The Birdcage
The Birth of a Notion
The Bitter Tea of General Yen
The Bitter Tea of General Yen
The Bitter Tea of General Yen
The Black Man’s Burden [BOYZ N THE HOOD]
The Blind Swordsman: Zatoichi
The Bloody Glamour of Bloody War [PLATOON] (previously unpublished)
The Boy Who Plays on the Buddhas of Bamiyan
The Boys of Baraka
The Boys of St. Vincent
The Bridegroom, The Comedienne and The Pimp and other short films
The Bridges of Madison County
The Brothers Grimm
The Brutal Truth (on I STAND ALONE)
The Case of the Grinning Cat
The Cats of Mirikitani
The Ceremony
The Chicago International Film Festival Week 2: Simon Says
The Chicago International Film Festival: Closing Weekend
The China Syndrome
The Chocolate War
The Choice Between Art and Life (LA BELLE NOISEUSE)
The Cinema of Tomorrow (2007)
The Circle
The Color of Paradise
The Color of Pomegranates: The Director’s Cut
The Comedy of Money
The Communal Balancing Act [THE EDGE OF THE WORLD]
The Computer Animation Show
The Connection
The Constant Compromise (GOOD NIGHT, AND GOOD LUCK & CAPOTE)
The Corporation
The Couch Trip
The Cradle Will Rock
The Crying Game
The Cuckoo
The Cure
The Cyclist
The Darjeeling Limited
The Day the Sun Turned Cold
The Death of Mr. Lazarescu
The Decade’s Finest [The Ten Best Movies of the 90s]
The Delta
The Devil, Probably
The Director’s Cut
The Discreet Charm of the Bourgeoisie
The Double Life of Veronique
The Dreamboat With No Name [THE BRIDGES OF MADISON COUNTY]
The Dreamlife of Angels
The Eel
The Elusive Moment of Thought
The Emperor and the Assassin
The Enchantment
The End of Violence
The Enforcer
The Epic That Never Was
The Exiles
The Eyes of the World [SEPTEMBER 11]
The Fabulous Baker Boys
The Family Stone
The Family That Preys Together (THE GODATHER PART III)
The Film Festival That Got Away
The Fire This Time
The Firm
The Five Heartbeats
The Fountain of Youth and Return to Glennascaul
The Fourth War
The Freed Woman
The Funeral
The Garden
The Gate of Heavenly Peace
The Gatekeeper
The Ghost Ship
The Girl From Monday
The Girl in a Swing
The Glass Shield
The Godfather Part III
The Golden Coach
The Good, the Bad, and the English [DEAD AGAIN]
The Good, the Bad, and the Future
The Gospel According to Saint Matthew
The Governess
The Grandfather [INTIMATE STRANGER]
The Great Divide [FROM THE OTHER SIDE]
The Great Garrick
The Greatest Film Ever Made?
The Greatest Living Soviet Filmmaker
The Guarded Intimacy of SANS SOLEIL
The Hairdresser’s Husband
The Hand That Rocks the Cradle
The Heart of an Enigma [BARTLEBY]
The Heartbreak Kid
The Hit Parade
The Hole
The Holiday Glut: A Cautious Consumer Guide
The Holy Land
The Hours and the Times
The House Is Black
The House is Black
The House of Mirth
The House on Carroll Street
The Human Touch [MEN IN BLACK & CONTACT]
The Human Touch [THE DECALOGUE & FARGO]
The Hustler
The Icicle Thief
The Ill and the Sick [on PRINCES IN EXILE and THE SILENCE OF THE LAMBS]
The Illusionist
The Importance of Being Perverse (Godard’s KING LEAR)
The Importance of Being Sarcastic [SATANTANGO]
The Incredibly True Adventure of Two Girls in Love
The Inheritors
The Inner Circle
The Inner Life of Martin Frost
The Invasion
The Iron Triangle
The January Man
The Jester and the Queen
The Jester
The Jester
The Joy Luck Club
The Kid Stays in the Picture
The Killing of a Chinese Bookie
The Lady and the Duke
The Land Before Time
The Language of Objects [THE WAR OF THE ROSES]
The Last Bolshevik
The Last Command
The Last Days of Chez Nous
The Last Emperor
The Last Filmmaker
The Last Good Time
The Last of England
The Leopard Man
The Leopard
The Life and File of an Anarchist Filmmaker
The Limits of Memory [THE BLONDS & ROSENSTRASSE]
The Line King:The Al Hirschfeld Story
The Little Girl of Hanoi
The Lives of Others
The Living End
The Long Gray Line
The Long Walk Home
The Long Weekend (o’Despair)
The Love Letter
The Love Parade
The Lovers of Pont-Neuf
The Lovers on the Bridge
The Low Down
The Lunatic French
The Man Who Envied Women
The Man Who Fell to Sleep [SWITCH]
The Man Who Wasn’t There
The Man With Three Coffins
The Mask of Fu Manchu
The Meteor Man
The Modest Master [Luc Moullet]
The Moon Is Blue
The Most Intelligent American Movie of the Year [THE BIG RED ONE: THE RECONSTRUCTION]
The Mozart Brothers
The Nasty Woody [ANYTHING ELSE]
The Nation Erupts
The Navigator
The New Babylon
The Newton Boys
The Nibelungen
The Nightmare Before Christmas
The Notorious Bettie Page
The Organizer
The Outpost
The Ox
The Oyster Princess
The Palm Beach Story
The Paper
The Passing
The Passion of Joan of Arc
The Passion of Joan of Arc
The Past Recaptured
The Peddler
The Perez Family
The Phenix City Story
The Piano
The Picture of Dorian Gray
The Plain Truth [WELCOME TO THE DOLLHOUSE & NELLY AND MONSIEUR ARNAUD]
The Player [EL MARIACHI]
The Pledge
The Plot Against Harry
The Power of Belief
The Power of Nightmares
The Power of Suggestion (FAST, CHEAP & OUT OF CONTROL)
The Preminger Enigma
The Princess Bride
The Private Eyes
The Producers
The Promise
The Real Presence & Snakes and Ladders
The Reckless Moment
The Return
The Revolution Has Been Televised [Peter Watkins’ LA COMMUNE]
The Revolution Will Not Be Televised
The Rise of Louis XIV
The Road to Overload [NORTH ON EVERS]
The Rock
The Saddest Music in the World
The Saint of Fort Washington
The Science of Sleep
The Screening Process [NO SUCH THING & THE SLEEPY TIME GAL]
The Sea Inside
The Seberg We Missed: Interview with Mark Rappaport
The Second Animation Celebration: The Movie!
The Second Heimat
The Secret Garden
The Self-Aware Action Hero
The Serpent and the Rainbow
The Seventh Continent
The Seventh Continent
The Seventh Victim
The Seventh Victim
The Shadow
The Shape of Things
The Significance of Sniggering (CRUMB)
The Slingshot
The Soft Skin
The Sorrow and the Pity
The Sound of German
The Spook Who Sat by the Door
The Squid and the Whale
The Story of the Last Chrysanthemums
The Studly American [APARTMENT ZERO]
The Stuff of Dreams [on SUNRISE]
The Subjective Landscape: Works by Alfred Guzzetti
The Summer House
The Sun Shines Bright
The Sweet Cheat [THE PAST REGAINED]
The Sweet Hereafter
The Swordsman in Double-Flag Town
The Taste of Ashes [SARABAND & BROKEN FLOWERS]
The Theme
The Thing Called Love
The Third Animation Celebration
The Three Burials of Melquiades Estrada
The Time to Live and the Time to Die
The Torture Question
The Tracker
The Tracker
The Traveller
The Treatment
The Tree, the Mayor and the Media Center
The Trial
The Trouble With Harry [BLOOD WORK]
The True Auteur: RICHARD PRYOR LIVE IN CONCERT
The Two Jakes
The Tyranny of Sensitivity [on John Cassavetes]
The Unbelievable Truth
The Underworld Story
The Undistributed
The Universe in a Cellar (THE WIND WILL CARRY US)
The Unobserved Life [KILLER OF SHEEP]
The Vertical Ray of the Sun
The Vision of the Conquered
The War Tapes
The Waterdance
The Way It Was
The Way We Are (THE MOTHER AND THE WHORE)
The Way We Are [IN THE COMPANY OF MEN]
The Way We Weren’t [REBEL HIGHWAY]
The Wedding March
The Wild Parrots of Telegraph Hill
The Wind Will Carry Us
The Wind Will Carry Us
The Winslow Boy
The Woman Who Isn’t There [WAKING THE DEAD]
The World According to John Coltrane
The World as a Circus
The World in a Beijing Theme Park
The World in a Village [GUELWAAR]
The World is Watching
The Written Face
The Year My Voice Broke
The Year in Pictures
The Yes Men
The Young and the Paralyzed
The “Presents” of Michael Snow
Thelma & Louise
Thelonious Monk: Straight No Chaser
Theme and Variations [THE LOVERS OF THE ARCTIC CIRCLE]
Then and Now: The San Sebastian International Film Festival
Theremin: An Electronic Odyssey
There’s Somebody Out There
These Magic Moments (THE NEON BIBLE)
They Drive by Night: The Criticism of Manny Farber
Thieves
Things Change
Thinking Inside the Box [CHILDREN OF MEN & PAN’S LABYRINTH]
This So-Called Disaster
This Week at the Chicago Film Festival
This Week at the Film Festival
Three From Vietnam
Three Times
Three films by Kiyoshi Kurosawa
Three of a Kind [ NEW YORK STORIES]
Three on a Mensch [on ENEMIES, A LOVE STORY]
Through the Olive Trees
Through the Past, Darkly [GHOSTS OF MISSISSIPPI & THE CRUCIBLE]
Through the Wire
Thunderbolt
Ticket of No Return
Ticket of No Return
Tigrero: A Film That Was Never Made
Time Traveler
Time of the Wolf
Titanica
Tito and Me
To Die For
To Have and Have Not
To Kill a Priest
To Live
To Sleep With Anger
Toddler Time (THE WHITE BALLOON)
Too Big for the Screen [on CHARLES MINGUS: TRIUMPH OF THE UNDERDOG]
Too Horrible [LAST EXIT TO BROOKLYN]
Top Ten [The 10 Best Films of 1988]
Total Recall
Touch of Class [TITANIC]
Touchez pas au grisbi
Tough Guys Don’t Dance
Touki Bouki
Tous les matins du monde
Track 29
Traveling Avant
Trends of Bill
Trial of the Century (BAMAKO)
Tribal Trouble [CALENDAR]
Trick
Tristram Shandy: A Cock and Bull Story
Tropical Malady
Troy
True Believers
True Enough (BOYS DON’T CRY & THE STRAIGHT STORY)
True Grit [ROSETTA]
True Parables [ASK THE DUST & FIND ME GUILTY]
True Romances [HAV PLENTY & MR. JEALOUSY]
Truffaut Lite [THE LITTLE THIEF]
Truly Madly Deeply
Truth and Consequence
Truth is Stronger Than Fiction (THE FINAL INSULT)
Try and Get Me!
Trying to Have Some Fun (QUILLS, SMOKING, & NO SMOKING)
Tucker: The Man and His Dream
Turnabout: The Story of the Yale Puppeteers
Twenty Bucks
Twist
Two Early Chicago Reader Capsule Reviews
Two Friends
Two Heads [EVEN COWGIRLS GET THE BLUES]
Two Movies or the Price of None [James Benning’s UTOPIA]
Two Neglected Filmmakers
Two Portraits and Universal Hotel/Universal Citizen
Two Takes on the Truth
Two-Lane Blacktop
Two-Lane Blacktop
Umberto D
Unbelievable
Under the Chador
Underground
Undermining Authority [SURNAME VIET GIVEN NAME NAM]
Undertow
Unforgiven
Unified Theory [METROPOLIS]
Unlawful Entry
Unmade Beds
Unsafe at Any Size [THE CORPORATION]
Unsatisfied Men
Unwarranted Heaviness (THE UNBEARABLE LIGHTNESS OF BEING)
Up and Down
Us Crazy Foreigners [DEAR WENDY & REEL PARADISE]
Us and Them [BLOOD IN THE FACE]
Used People
Utz
Valerie and Her Week of Wonders
Vampires in Havana
Vampire’s Kiss
Vera Drake
Videos by Stephen Roszell
Vietnam Under Glass [THE SCENT OF GREEN PAPAYA]
Vietname: Long Time Coming
Vigo’s Secret
Villain the Blank [BLOWN AWAY]
Viridian
Visionary Agitprop
Visions of Light: The Art of Cinematography
Vive l’amour
Voices From the Front
Voices of Cabrini
Voyage to the Beginning of the World
WR: Mysteries of the Organism
Wag the Dog
Waking Life
Waking Up to the World [30 FRAMES A SECOND: THE WTO IN SEATTLE]
Walker
Wall of Sound (on MORTAL THOUGHTS)
Wallflower’s Revenge [THE MATCH FACTORY GIRL]
War Crimes, Hidden and Brandished [on LORD OF WAR & WINTER SOLDIER]
War Fever [on MATINEE]
War Is Swell [HOPE AND GLORY]
War Porn
War and Peace
War at a Distance
War of the Poses (OLEANNA)
War-Zone
Watch for BERNIE (twice upgraded)
Waters Still Runs Deep [SERIAL MOM]
Wax or the Discovery of Television Among the Bees
We Love It When They Lie [JACOB’S LADDER]
We Monsters
Weapons of the Spirit
Wedding in Galilee
Weird [TALES FROM THE GIMLI HOSPITAL]
Weird and Wild [on Kira Muratova]
Welcome, Stranger [UNCLE NINO & BECAUSE OF WINN-DIXIE]
Well-Done Debut (PARENTS) & Sex and the Single Codger (THE LAST GOOD TIME)
Welles in the Lime Light
West Beirut
Western Culture Coming and Going [THE CASE OF THE GRINNING CAT & WILL SUCCESS SPOIL ROCK HUNTER?]
We’re All Connected [SHORT CUTS]
What Farocki Taught
What Happened Was …
What Is a Jew? [EUROPA EUROPA]
What’s Eating Gilbert Grape
What’s Love Got to Do With It
What’s Sex Got to Do With It? (THE HOURS AND TIMES & A TALE OF SPRINGTIME)
What’s Up, Doc?
When Bad Films Happen to Good Actors
When Is a Musical Not a Musical?
When It Rains
When It Rains
When Nostalgia Works [BOBBY]
When Worlds Collide [WHO FRAMED ROGER RABBIT]
When the Wind Blows
Where They’re Coming From [WESTERN]
Where the Boys Are [BULL DURHAM]
Where the Kids Are
White Dog
White Dog
White Hunter, Black Heart
White Men Can’t Jump
White Shanks
Who Framed Roger Rabbit?
Who Killed Jessie?
Wholesale Memories
Why European Conservatives, If They Exist, Have No Reasons To Live
Why Has Bodhi-Dharma Left for the East?
Why Is This Movie a Hit?
Widows’ Peak
Wild Bill
Wild Reeds
Will Success Spoil Rock Hunter?
William Eggleston in the Real World
Wind Across the Everglades
Wind from the East (A TALE OF THE WIND)
Windmills of His Mind
Windtalkers
Winter Soldier
Witness to the Persecution [CAPTURING THE FRIEDMANS]
Wittgenstein
Women of Substance
Women’s Story
Wonderful World of Disney
Wonders of the World [The Ten Best Films of 1997]
Woody on the Wild Side [MANHATTAN MURDER MYSTERY]
Word and Utopia
Working With Orson Welles
Working-Class Hero [CINDERELLA MAN]
World Views
Worlds Apart (on MOTHER and EVERYONE SAYS I LOVE YOU)
Wright in Japan [Magnificent Obsession: Frank Lloyd Wright’s Buildings and Legacy in Japan]
Wright in Japan
Wrinkles in Time [ALONE. LIFE WASTES ANDY HARDY]
Writing the Wrecord
Xiu Xiu: The Sent Down Girl
Y tu mama tambien
Yearning
Yes
You, Me and Dupree
Zazie in the Metro
Zhang Ke Jia, Poetic Prophet
Zizek!
Zou Zou / Princess Tam Tam
Notes
A Brief Reflection on “Winning” and “Losing”
A Dialogue about Death by Milan Kundera
A Double Standard at the Library of America?
A Few Words on Behalf of Uggie
A Forthcoming Novel by Robin Wood
A Free Man [Clint Eastwood’s WHITE HUNTER, BLACK HEART]
A Handful of World: The Films of Peter Thompson, An Introduction and Interview
A Last-Minute Tip for Chicagoans: A BRIGHTER SUMMER DAY (Doc Films, May 18, 7 PM)
A Little More on Truffaut
A Piece of Folk Wisdom from Little Rock
A Possible Solution to a Mystery
A Quote from a Famous General
A SEPARATION: The Unspoken Subject in Iranian (and American) Cinema
A Serious Man
AITA (FATHER), LA VIDA ÚTIL, & ATTENBERG
Addressing the Present (2009)
Albert Brooks, Woody Allen, and Money
Alexis A. Tioseco, R.I.P.
“American Cinema” as Seen From the U.K.
American Self-Scrutiny, Writ Large
Among the Missing (Malraux’s L’ESPOIR)
An Unidentified Subject (Egoyan’s CHLOE)
Austin Notebook: South by Southwest, 2010
Bright Star
Buffalo Bill and the Indians
Building from Ground Zero: A HEN IN THE WIND
Business as Usual at Cannes (2009)
CITIZEN KANE and The New York Times (just for the record…)
Campaign and Post-Campaign Mode (THE ORDER OF MYTHS and MILK)
Can a “Complete History of American Film Criticism” Exist?
Capitalism: A Love Story
Changeling
Circle of Pain: The Cinema of Nicholas Ray
Conversation with Paul Morrissey (Part I)
Conversation with Paul Morrissey (Part II)
Correction of Previous Post
Course File on Experimental Film (Part 1) (1982)
Course File on Experimental Film (Part 2) (1982)2> Criterion’s Costa
Cukor and Sensuality
DEAD MAN in 2010: A Czech Preface
DREAMS FROM MY FATHER
DVD Beaver’s New Toolbar
Death by a Thousand Director’s Cuts
EVENING PRIMROSE
Early Silents in Oberhausen (2010) (upgraded, 5/23/10)
Elizabeth Drew on FROST/NIXON
Eric Hobsbawm on American Empire
Esoterica
Euphoria
FILM SOCIALISME, etc., 40 Years Ago and Now
FLANNERY
FOR THE LOVE OF MOVIES: THE STORY OF AMERICAN FILM CRITICISM
Farewell to Dennis Hopper (R.I.P., 1936-2010)
Finding Oneself in the Dark: Costa’s NE CHANGE RIEN
Fredric Brown, Madness, and CRACK-UP
From Bowles to the Bowery: Sara Driver in Hyper Drive
GERTRUD and LIGHT IN AUGUST
Gilbert Adair (December 29, 1944 — December 8, 2011)
Gold Diggers of 1953 (on GENTLEMEN PREFER BLONDES)
“Globalized” Kael in THE AGE OF MOVIES
God as a Litigant
Godard as “Good Samaritan”
HELSINKI, FOREVER (A City Symphony)
HIPSTERS
Here’s a Movie in the Making That I Really Want To See
High and Low: Eisenstein’s IVAN THE TERRIBLE
Hoberman in French & in English
IL CINEMA RITROVATO DVD AWARDS 2010
IL CINEMA RITROVATO DVD AWARDS 2011 (Bologna, Italy)
Index of long reviews from the Chicago Reader, by film (or book) title or subject
Introduction to an Index compiled for this web site
J.D. Salinger (1919-2010): A Minor Memoir
Jafar Panahi and Early Pere Portabella: On DON’T COUNT ON YOUR FINGERS and CUADECUC, VAMPIR
Jarmusch Unlimited: THE LIMITS OF CONTROL
Jazz Soundies and other numbers from the 1940s
Jerry Lewis Film Series in Los Angeles in June
Joe Dante, Anonymous King of the Post-Cult Cinema Community
Keith Jarrett, Symphony Center (Chicago), February 12, 2010
LA NUIT DU CARREFOUR: At Long Last Available
LA SAGA: CINÉASTES, DE NOTRE TEMPS: UNE HISTOIRE DU CINÉMA EN 100 FILMS
La Gueule Ouverte
Leos Carax’s MERDE
Lines and Circles [PLAYTIME and 2001: A SPACE ODYSSEY]
Lisl Ponger’s Cinema: The Lessons of Ignorance
Lonesome
Lost and Found: MIX-UP
Makhmalbaf’s Message
Man on a Shoestring: An On-Location Report on Mark Rappaport’s IMPOSTORS
Mark Rappaport [from FILM: THE FRONT LINE 1983]
Masterpiece Alert (UN SOIR, UN TRAIN)
Medium Cool: Wrestling with Video Art (Whatever That Means)
Michael Jackson and the Suspension of World History
Misrepresented History, Displaced Emotion
Movie Love (on CINÉMA CINÉMAS, 1982-1991)
My Favorite Films of the 1930s
My Son John
My Two Cents Worth on Daves’ BIRD OF PARADISE
NATIVE SON (novel and play)
NICKELODEON (1977 review)
Nick’s Kicks
NIGHT AND FOG and SHOAH
NOT ENOUGH AIR (an amazing play)
Never Too Late [on a Carl Dreyer retrospective]
Notes on 2 D’Arrast films
OUT 1: SPECTRE
Olaf Stapledon: The Father of Modern Science Fiction
On Alain Resnais
On Books and Literary Matters (an index of sorts)
On Robin Wood’s TRAMMEL UP THE CONSEQUENCE
On Scalping [+ postscript]
On the Arrest of Roman Polanski [updated, 10/2/09]
On the Denied Politics of THE HURT LOCKER
On the Web: Cinema Treasures
One Key Event & Two Key Scenes (March 2009)
One Observation and Three Figures
One of My Favorite Things [On McCoy Tyner]
Orson Welles: The Consumerist Version
Orson Welles’ Failure vs. David Thomson’s Success (updated, 10/25)
O’Neill’s Next-to-Last Testament: THE ICEMAN COMETH
PANDORA AND THE FLYING DUTCHMAN on DVD and the Irretrievable Past
PANDORA in Bologna
Play it again: Review of THE CULT FILM EXPERIENCE
Princess Theater, Florence, Alabama in the 1930s
Princess Theatre, Florence, Alabama (an “early” photo and news story)
Princess Theatre, Florence, Alabama, 1944
Problems of Classification: A Few Traits in Four Films by Ermanno Olmi
Program Notes for the North American Theatrical Premiere of THE TIGER OF ESCHNAPUR & THE INDIAN TOMB
QUO VADIS Revisited
ROOM 237 (and a Few Other Encounters) at the Toronto International Film Festival, 2012
Racist Shorthand in the U.S.
Raymond Durgnat’s Web Site is Growing
Raúl Ruiz’s Interactivity: Some Reflections on His Evolution
Recommended Pre-Election Reading (and Brief Post-Election Lament)
Recommended Reading & Viewing (THE STRUGGLE)
Recommended Reading and Looking: Online Books by Alfred Leslie (3 so far, more to come)
Recommended Reading: AND THEN THERE WAS NO ONE
Recommended Reading: Aaron Cutler on CERTIFIED COPY
Recommended Reading: By and About Lindsay Anderson
Recommended Reading: Capricci 2012 & Leo Robson on Wes Anderson
Recommended Reading: DANCING IN THE DARK
Recommended Reading: Daniel Mendelsohn on the New Tarantino
Recommended Reading: FRANKLY, MY DEAR
Recommended Reading: HEAVEN’S MY DESTINATION
Recommended Reading: Hoberman on IN A LONELY PLACE
Recommended Reading: Interview with Jia Zhangke by Dudley Andrew
Recommended Reading: Joe Klein on Why We Should Legalize Pot
Recommended Reading: Sadeq Hedayat’s THREE DROPS OF BLOOD
Recommended Reading: THE CROSS OF REDEMPTION
Recommended Reading: THE INVISIBLE DRAGON, revised & expanded edition
Recommended Reading: Two Invaluable New Web Sites…
Recommended Reading: VINCENTE MINNELLI: THE ART OF ENTERTAINMENT
Recommended Reading: n + 1, Fall 2010
Recommended Reading: “Everybody’s Orson Welles”
Recommended Reading: “Long Shot” (Profile of Jia Zhangke)
Recommended Reading: “Otto Preminger and the Surface of Cinema”
Recommended Viewing: MURDER BY CONTRACT
Recommended Viewing: THE GHOST SONATA at the Oracle
Recommended: STRAUSS AT MIDNIGHT
Recommended: THE BEST YEARS OF OUR LIVES by Sarah Kozloff
Reflections on the New Sight & Sound Poll (and Four Lists, 1982-2012)
Review of ANOTHER FINE MESS: A HISTORY OF AMERICAN FILM COMEDY
Review of BRITTON ON FILM
Review of Chris Fujiwara’s JERRY LEWIS
Review of FILM AS FILM
Review of Tony Pipolo’s ROBERT BRESSON: A PASSION FOR FILM
Reviews of Five Books about John Cassavetes
Rhetoric about Iran: Americans Learning from Their Mistakes
Richard Combs on Michael Haneke
Richard Linklater as Global Regionalist [on BERNIE]
Ritwik Ghatak at 21
SCARFACE
SEDUCED AND ABANDONED Revisited
SEELAND as Decolonized Nonnarrative
SHIRIN as Mirror
STAVISKY (production story)
Sexism in the French New Wave
Skipalong Rosenbloom: A Few Scholarly Footnotes
Some Afterthoughts about Tarantino
Some Brief Reflections on A COUNTESS FROM HONG KONG
Spanish Master
Stanley Rosenbaum House, Florence, Alabama, November 1943
Stanley Rosenbaum Residence: The Dream Version
Straub-Huillet’s ÉCRITS and a Few Comparable Insights
Subversion and Sexiness in Three Hollywood Depression Comedies
Susan Sontag’s PROMISED LANDS
THE BEST YEARS OF OUR LIVES: half a dozen responses
THE COMEDIAN (1957)
THE GOLD DIGGERS Reconsidered
THE MAD SONGS OF FERNANDA HUSSEIN
THE SIRENS OF TITAN etc.
THE STRANGER’S RETURN (1933)
THE YOUNG ONE: Buñuel’s Neglected Masterpiece
TV News and the Myth of Public Opinion (Kinsley vs. Borneman)
Tati’s Influence on David Lynch
Ten & Twenty Best Lists, 1995-1999
Ten Best Lists, 1972-1976
Ten Best Lists, 1980s
Ten Best Lists, 1990-1994
Ten Best Lists, 2000-2004
Ten Best Lists, 2005-2009
The Apotheosis of Donald Phelps (and David Wayne)
The Arabian Nights
The Ayatollahs Have Spoken
The Death of a Jazz Saint
The Displacements of THE FORGOTTEN SPACE
The Elephant in the Room: INSIGNIFICANCE
The End-of-Film-Criticism Industry (2009)
The Example of KATZELMACHER
The First Cordelia [on IN MY FATHER’S SHADOW: A DAUGHTER REMEMBERS ORSON WELLES]
The Good, The Bad & The Ugly: WILD AT HEART
The Humanity of the Defeated: GERMANY YEAR ZERO
The Lure of Crime: Feuillade’s FANTOMAS Films
The Mosaic Approach
The Most Alarming News of the New Millennium
The New York Times Celebrates and Cheerfully Perpetuates Neanderthal Thinking
The Online William K. Everson Collection
The Poetry (and the Sociology) of Surreal Juxtaposition
The Sun Also Sets
The Undermining of Intimacy: HOME and EVERYONE ELSE
The Unknown Statue
The Unmaking of I’LL DO ANYTHING
The Vanity of Autodestruction: WE CAN’T GO HOME AGAIN
Theatrical Invention (THE FARNSWORTH INVENTION)
Thomas Frank on the government
Three Soviet Masterpieces, Finally Available in Good Editions
Tommy
Toronto 1982
Trial and Error (on Jim McBride)
Trying to Compute DON’T COUNT ON YOUR FINGERS
Two (Out of Three) Luc Moullet Books & One DVD
Two 2006 Reader film blog posts (& one afterword)
Two Ambitious Web Sites
Two Early Long-Take Climaxes (The Magnificent Ambersons & A Star is Born)
Two Exceptional Eastern European Documentaries about the Cinema
Two Films at the French Film Festival
Two French Godard Books: Informational Obstacles (and Teasers)
Two Good Reasons to be Back in the U.K. (and three quotes)
Two Nervy End-of-the-Year Pictures
Vanity Frame Enlargement (FOUR NIGHTS OF A DREAMER)
Videocracy
WALTZ WITH BASHIR
WILL THE REAL NORMAN MAILER PLEASE STAND UP (1975 review)
WINTER DREAMS: Fitzgerald Meets Frankenheimer (& Sternberg & Cassavetes)
WINTER’S BONE
Watching Kiarostami Films at Home
Welles’s Anguish and Goose Liver: CONFIDENTIAL REPORT
What I’m Reading (August 2010)
What is Cinema? (and, if you know what that is, What is Film Study?)
Why I Can’t Write about THE ILLUSIONIST
Wild Grass (Les herbes folles)