From the Chicago Reader (July 1, 1990). — J.R.

One of the rare fiction features about the jazz world made by a black filmmaker — and arguably much more important than Mo’ Better Blues, though it’s rarely shown. This 1977 film by Larry Clark, written by Ted Lange, follows a young saxophonist (Nathaniel Taylor) recently released from prison who tries to deal with the political aspects of his profession with the help of an older musician (Clarence Muse). Original and thoughtful, this is a very special first feature, with a feeling for the music that’s boldly translated into film style. (JR)