Possibly from the October 26, 1995 issue of Chicago Reader. I’m only guessing, because the Reader itself dates this review a decade earlier, about seven years before the film was made. — J.R.


Tom Kalin’s 1992 first feature is a postmodern retelling of the Leopold and Loeb story, playing up the suppressed gay subtext (at their murder trial in 1924 and then in prison) and playing down more familiar aspects of the case, such as Clarence Darrow’s role. Strikingly shot in black and white by Ellen Kuras and generally well acted, the film is a bit pedantic and mechanical in its revisionism and not always persuasive in its treatment of the period, yet it still carries some interest—if you can accept its polemical stance of treating the men’s crime as a secondary issue. With Daniel Schlachet, Craig Chester, Ron Vawter, Michael Kirby, Michael Stumm, and Paul Schmidt.


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