Daily Archives: May 23, 2001


This is David Mamet’s own adaptation of his first play, an autobiographical and somewhat hokey account of the Summer He Became a Man, by working aboard a steel freighter on the Great Lakes while in graduate school. It’s also the first feature directed by one of Mamet’s best actors, Joe Mantegna, and the whole production can be described as a sort of family affair, with Mamet’s kid brother Tony playing the young hero and still another Mamet, Bob, in charge of the music. But the most striking thing here is a performance by Robert Forster, as one of the older men on the boat, that’s so terrific everything else in the picture pales beside it. (It’s a part one can imagine Mantegna playing, so maybe that’s why he’s so adept at directing Forster in it.) Otherwise, I’d call this fairly routine coming-of-age stuff, borderline juvenilia hampered by awkward flashbacks in black and white but enlivened from time to time by a good cast that includes Peter Falk, Charles Durning, an uncredited Andy Garcia (as the night cook whom the young hero replaces at the last moment), J.J. Johnston, Denis Leary, Jack Wallace, and George Wendt. 98 min. (JR) Read more

Pearl Harbor

From the Chicago Reader (May 23, 2001). — J.R.


Three hours and three minutes of guff and goo about the nobility of killing and/or being killed for arbitrary reasons, whether you’re an American soldier or a Japanese. This is the Star Wars view of the U.S.’s entry into World War II (enemies are invisible and bloodless), which means that even though much of the story takes place in Hawaii, Hawaiians are deemed inconsequential, and the only ordinary Japanese we ever see apart from a few old soldiers are passing details in two shots: kids in the distance flying a kite and a couple of nice ladies in kimonos, both viewed before — not during or after — an air attack. If you decide to hit the concessions stand (where you’re bound to have lots of company), I’d suggest going out for popcorn during either the first hour or the third, because the second features some pretty good big-screen effects involving planes, ships, and explosions. (This is from the same team that brought you The Rock and Armageddon.) The lead characters are fairly interchangeable jocks and nurses — a bit like the characters in Starship Troopers but without the irony, aside from Jon Voight under tons of makeup striking presidential poses as FDR. Read more