Films by Lewis Klahr
I haven’t seen Whirligigs in the Late Afternoon (1996), the longest show on this program, but Lewis Klahr’s dreamlike work is so special that I’m sure it’s worth checking out. I’m especially partial to Altair (1994), a gossamer “color noir” culled from late-40s pages of Cosmopolitan and set to the strains of a section of the Firebird Suite, and Pony Glass (1997), a collection of kinky and gender-bending nightmares involving repressed homoerotic fantasies, Superman sidekick Jimmy Olsen, and such stray elements as a maple leaf and a turtle. But Klahr is always doing something slightly uncanny, whether he’s confusing a toy carousel with actual traffic in the silent Green ’62 (1996) or animating cutouts to the music of Berg in Lulu (1996). Klahr will be present to discuss his work, and admission to this Chicago Filmmakers program is free. Chicago Cultural Center, 78 E. Washington, Friday, May 22, 7:00, 773-384-5533 or 312-346-3278. –Jonathan Rosenbaum
Art accompanying story in printed newspaper (not available in this archive): uncredited film still.