Subtitled 12 Movements to the Only Conclusion, this is the last feature made by virtuoso low-budget independent Jon Jost (All the Vermeers in New York, Sure Fire) before he split for Europe in 1993, and once you see it you’ll know why he left. A highly stylized, extremely sarcastic, and sexually explicit road movie about an ex-con and a former waitress on a motel-strewn path to crime and oblivion through Oregon, Idaho, Washington, and northern California, it’s a technical tour de force devoted to the shallowness of the couple and the beauty of the landscape. It’s boldly conceived and brilliantly executed, with an interesting semijazz score by Jost regular John A. English, though the whiny delivery of the heroine will probably grate on your nerves (as it was no doubt meant to do) and the highly distanced treatment of both characters, which periodically turns them into zombies, has none of the usual Hollywood consolations. If you think Natural Born Killers was innovative and avant-garde, try this nasty piece of work. With Howard Swain and Nancy Carlin. A U.S. premiere. Facets Multimedia Center, 1517 W. Fullerton, Friday, March 10, 7:00 and 9:00; Saturday and Sunday, March 11 and 12, 3:00, 5:00, 7:00, and 9:00; and Monday through Thursday, March 13 through 16, 7:00 and 9:00; 281-4114.

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