My favorite Czech film, and surely one of the most exhilarating stylistic and psychedelic explosions of the 60s, Vera Chytilova’s madcap and aggressive feminist farce explodes in any number of directions. Featuring two uninhibited young women who are both named Marie–whose various escapades, which add up less to a plot than to a string of outrageous set pieces, include several antiphallic gags, and a free-for-all with fancy food rivaling Laurel and Hardy that got Chytilova in lots of trouble with the authorities–this is a disturbing yet liberating tour de force from a talented director showing what she can do with freedom. A major influence on Jacques Rivette’s Celine and Julie Go Boating, this is chock-full of female giggling, which might be interpreted in this context as the laughter of Medusa: subversive, bracing, energizing, and rather off-putting (if challenging) to most male spectators (1966). (Facets Multimedia Center, 1517 W. Fullerton, Monday through Thursday, June 20 through 23, 7:00, 281-4114)

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