Sexuality In Experimental Cinema

Pretty much a hodgepodge program, with the following titles: James Broughton’s Four in the Afternoon (1951) and This Is It (1971), Kenneth Anger’s Inauguration of the Pleasure Dome (1954), Paul Sharits’s Peace Mandala/End War (1966), George Kuchar’s Hold Me While I’m Naked (1966), Ed Emshwiller’s Relativity (1966), and the late Curt McDowell’s Nudes (A Sketchbook) (1975). The problem with collections of this kind is that, interesting as many of the individual titles are, they seldom go well together, and seeing half a dozen very different experimental filmmakers at one stretch tends to require too many mental gear changes.

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