Both the title and the witty, urbane narration delivered by Alexandra Stewart are quintessential Chris Marker, yet this 42-minute essay (2001) about the work of photographer Denise Bellon is in fact a collaboration between Marker and Bellon’s sister Yannick, a director in her own right who has been making films since 1947. Most of the Denise Bellon photography on-screen comes from France in the late 30s, and the sense of history is as sharp and inflected with literary irony as in Marker’s other films. (JR)