Andy Warhol’s characteristically unscripted 1966 feature with Edie Sedgwick was shot twice: the first time a technical problem with the lens caused both 33-minute reels to be out of focus; the second time everything was fine. But in a classic Warholian gesture, the filmmaker decided the final version should be made of the first reel of the first version and the second reel of the second. Unavailable since it was withdrawn from distribution in 1972, it’s bound to be interesting. (JR)