Daily Archives: November 29, 2025

Selected Moments: Some Recollections of Movie Time

Commissioned by and written for a collection entitled Time, published in February, 2016 by Punto de Vista, Festival Internacional de Cine Documental de Navarra in Pamplona, Spain. — J.R.

Selected Moments: Some Recollections of Movie Time

Florence_0431. My first sixteen years (1943-1959) — growing up in northwestern Alabama as the grandson and son of Jewish movie theater exhibitors — ensured that time and cinema were alternately parallel and crisscrossing rivers that coursed through my childhood, along with the Tennessee River that separated Florence from Sheffield. Florence, where I lived, had three of the Rosenbaum theaters, at least until 1951, all within a three-block radius, while Sheffield, which I could see across the river from my back yard, had two more theaters, one around the corner from the other. For Southerners like myself, the past was always present, a kind of double vision that movies taught me as well — a camera’s recording of the past becoming the present of both a screen and an audience, which then in retrospective memory becomes the past as well. And for Jews like myself, the past was also identity — meaning one’s past, present, and future. This explains why Lanzmann’s Shoah represents a shotgun marriage between the present tense of existentialism and the past tense of Judaism. Read more

Big Deal On Madonna Street

From the Chicago Reader (September 1, 2000). — J.R.

bigdealonmadonnastreet

Conceived as a kind of irreverent parody of both Rififi and The Asphalt Jungle, Mario Monicelli’s stumblebum heist film (1958) about a group of incompetent crooks trying to rob a safe full of jewels is one of the funniest Italian comedies ever made — certainly much funnier than the many imitations and remakes (i.e., rip-offs) it’s spawned over the years, including Louis Malle’s Crackers and Woody Allen’s Small Time Crooks. Monicelli’s sense of character is priceless, and his fabulous cast — including Marcello Mastroianni, Vittorio Gassman, Claudia Cardinale, and Renato Salvatori — makes the most of it. 111 min. (JR) Read more