THE GODFATHER PART II (1975 review)

From Sight and Sound (Summer 1975). I think I probably did a better job with The Godfather 33 years later, when I wrote something about it for Filmkrant. — J.R.

The Godfather Part II

‘I believe in America,’ declares an undertaker in portentous close-up at the start of The Godfather, appealing to Vito Corleone (Marlon Brando) to dispatch an act of vengeance on his behalf. The sequel begins and ends with close-ups of Michael (Al Pacino), Vito’s youngest son and successor: in the first his hand is being kissed off-screen by yet another supplicant; in the last he sits alone biting his knuckle, with his wedding ring clearly in evidence — an apt symbol of his solitary dominion, with the Corleone family virtually destroyed so that its hollow emblems and relics might be preserved. The most obvious achievement of The Godfather Part II (CIC) over its predecessor can be seen in the quiet authority of this framing device, which tells us everything we need to know about the fate of the Corleones without recourse to rhetorical hectoring; its most obvious limitation is that it essentially tells us nothing new.

Perhaps more than anyone else in Hollywood, Francis Ford Coppola epitomizes the man in the middle. Read more