Daily Archives: June 22, 2024

The New Age

From the September 20, 1994 Chicago Reader. –J.R.

This new comedy by writer-director Michael Tolkin (The Rapture), which reunites the leads of Naked Lunch, Peter Weller and Judy Davis, as fashion-plate yuppies in Los Angeles who have spiritually lost their way, keeps promising to be a great satire. But the promise is only half kept; each time one expects some follow-through on a fruitful conceit (e.g., the couple opening a new boutique called Hipocracy, Patrick Bauchau as a mysterious guru), the movie stops dead in its tracks, just like the woeful couple. This is still great fun as far as it goes;, and serious as well; just don’t expect any structure. With Adam West as Weller’s father, John Diehl, Paula Marshall, and Samuel L. Jackson. (JR)

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A Note on “Welles’ Career: A Chronology”

When This is Orson Welles, which I edited, was originally published in 1992, the section of the book which elicited the most comments was the 131-page summery of Welles’ career, an attempt at an exhaustive account that I had taken over and expanded from Welles and Peter Bogdanovich’s original manuscript. People were awed by the size of this section, but ever since the book’s publication, I’ve been periodically reminded of how incomplete it actually was and is.

My latest reminder was coming across Welles’ 19-minute radio adaptation/performance of Alexander Pushkin’s “The Queen of Spades,” introduced by Laurence Olivier and available for free at

https://www.audible.com/pd/The-Queen-of-Spades-Audiobook/B011J042XK?ref=a_library_t_c5_libItem_&pf_rd_p=80765e81-b10a-4f33-b1d3-ffb87793d047&pf_rd_r=87W16ZWVNQ3BJXCWR4TH

I have no idea when this was recorded or broadcast, but Audible has posted it alongside other audio adaptations of other Russian literary works performed by Olivier, Michael Redgrave, Trevor Howard, and an apparently unidentified actress in the same series, which aren’t free. [4/25/2022]

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Donbass

Thanks to Mark Rappaport for recommending Sergei Loznitsa’s extraordinary 2018 Donbass, available for $5 (a one-day pass) at https://easterneuropeanmovies.com/drama/donbass, which offers the most gripping and elucidating portrait of what’s happening now in Ukraine that I’ve encountered anywhere. Many of us have already encountered Loznitsa’s expertise as a documentary storyteller, but this film is a veritable eye and ear-opener. [5/6/22]

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