Daily Archives: December 5, 2023

Surprises at Cannes: Huston redeemed, Tashlin reincarnated (1972)

This is second and (to date) final time that I did Cannes film festival coverage for The Village Voice, which ran in their June 29, 1972 issue. –J.R.

Surprises at Cannes: Huston redeemed, Tashlin reincarnated

by Jonathan Rosenbaum

CANNES, France — After 15 days of feeding in darkness, and blinking at the sun only between screenings, the Cannes Festival inevitably turns the persistent moviegoer into a blood relative of Dracula. regrettably, this year’s festival was long on celluloid — 700 films’ worth, according to Variety — but short on the lifeblood necessary to keep an honest vampire going.

Of the 34 films that I stayed to the end for, only one seemed to have the earmarks of an old-fashioned classic. Curiously enough, this came from neither Hitchcock nor Fellini nor Skolimowski nor Altman, but from john Huston — a director who has remained in limbo for so long that, until Fat City, it was hard to remember he still existed. Fat City may not be a great film, but it has the uncommon virtue of achieving practically everything it sets out to do.

Working in the U.S. for the first time since The Misfits, Huston returned to a milieu of failed boxers in Stockton, California, that he knew intimately as a young man, shot his story (from Leonard Gardner’s novel)  in continuity, and wound up with what may prove to be his definitive statement. Read more

Moviegoing at Cannes: Classics without labels (1971)

This page of festival coverage in The Village Voice (June 17, 1971) appeared (without any photos) after my second trip to the festival; if memory serves, my first trip there, in 1970, yielded no writing at all. One complication about this piece is that Amos Vogel and I jointly discovered after arriving at the festival that a separate editor at the Voice had given each of us the assignment of “covering” the festival. After Amos checked back at the front office about this, it was agreed at the Voice that we both write coverage, about separate films, which we wound up doing for two years in a row.

I think this article manages to convey some of the political flavor of the early 70s, although it’s worth adding that all the films listed here with the exception of Sontag’s Brother Carl are currently either available on DVD [2023 update: Sontag’s film is now available on a Swedish DVD.] or are about to be (e.g., Portabella’s Cuadecuc – Vampir, identified here incorrectly as Vampyr). Indeed, strange as it seems, the most “out of date” detail here is a single shot I describe in Cuadecuc – Vampir (“a ghoulishly made-up actress making a face at someone between takes”), which Portabella inexplicably (and lamentably) has subsequently removed from the film. Read more