Daily Archives: July 27, 2023

Ten More Key Moments

Here are ten of the 40-odd short pieces I wrote for Chris Fujiwara’s excellent, 800-page volume Defining Moments in Movies (London: Cassell, 2007).  — J.R.

Scene

1995 / The Neon Bible – “It didn’t snow that year.”

U.K. (Academy/Channel Four). Director: Terence Davies.

Cast: Drake Bell, Jacob Tierney, Gena Rowlands.

Why It’s Key: It reveals the power of imagination in a flash.

Few moments in movies reveal the power of imagination more succinctly than the opening of Terence Davies’ CinemaScope adaptation of John Kennedy Toole’s first novel, written when the southern author was only 16. It opens with 15-year-old David (Jacob Tierney) alone on a train at night, the camera moving past him to the darkness glimpsed outside. Then David at ten (Drake Bell) is seen peering out a rain-streaked window in his rural home to the strains of “Perfidia”, circa 1948, while narrating offscreen, “People came to see us that Christmas. They were nas, those people —- they brought me things…”

A moment later, we cut to a diptych: on screen left, an empty porch topped by icicles framing an enchanted snowfall, as decorous as a neatly filled box by the surrealist artist Joseph Cornell. On screen right, young David is seated on the floor inside, now looking out the same window in profile, while narrating offscreen, “There was no snow —- no, not that year.” Read more

American Beauty

AmericanBeauty

An unusually clever and shrewdly corrupt first feature (1999) by English stage director Sam Mendes and writer Alan Ball, this deftly juggles satire about contemporary consumerist America (sexual obsession, gun worship, working out, capitalism) and fanciful wish fulfillment in the duplicitous Hollywood manner of The Graduate and Risky Business. Kevin Spacey, at his best, plays the disgruntled hero whose lust for his teenage daughter’s best friend (Mena Suvari) gives him a new lease on life; Annette Bening does her best with the more caricatured part of his shrewish wife. But the moral heroes here are their teenage daughter (Thora Birch) and her weird and secretive next-door neighbor (Wes Bentley), both thoroughly and understandably disgusted with the adult world. Mendes uses the superlative cinematography of Conrad Hall to excellent advantage, has a sharp sense for how to employ pop music, and moves back and forth between reality and fantasy without missing a beat; Ball has an uncanny ability to make disparate characters suddenly rhyme with one another. With Chris Cooper and Peter Gallagher. R, 121 min. (JR)

americanbeauty3 americanbeauty5 Read more