From the Chicago Reader (January 24, 2003). — J.R.
* (Has redeeming facet)
Directed and written by Jeff Daniels
With Daniels, Matt Letscher, Harve Presnell, Dawn Wells, John Seibert, Guy Sanville, Kate Peckham, Sandra Birch, Michelle Mountain, and Will Young.
Super Sucker, the second indie comedy feature written and directed by actor Jeff Daniels, is a terrible movie. But that doesn’t prevent it from being interesting and even admirable as a grassroots phenomenon. I haven’t seen its predecessor, Escanaba in da Moonlight (2001) — based on Daniels’s play, which he produced at his own 160-seat theater in Chelsea, Michigan, the Purple Rose (named after the Woody Allen movie The Purple Rose of Cairo, which Daniels has cited as a turning point in his career). The movie version of Escanaba passed through Chicago at some point and received a listing but not a review in this paper. In fact, Escanaba received few reviews anywhere (although the making of the film was the subject of an article in Harper’s in late 2000). The longest notice appeared in the Detroit News, whose Tom Long wrote that the film “is decidedly a Michigan experience, and there are questions as to how it will fly in lands that know nothing of the Mackinac Bridge, pasties, and the Department of Natural Resources.” Read more
From the February 21, 2003 Chicago Reader. — J.R.
The skillful writer-director Henri-Georges Clouzot is mainly known for his corrosive misanthropy. Yet surprisingly, this accomplished 1947 noir turns that misanthropy precisely on its head without ever resorting to sentimentality or stereotypes. The milieus of a seedy music hall and police station in Paris are delineated with such richness and attentiveness toward the postoccupation climate that when the murder of a licentious film producer brings a police inspector (the great Louis Jouvet) into the music hall, Clouzot is able to reveal a complex and interactive working-class world in which cops and criminals are sometimes difficult to tell apart. The principal epiphanies in this tale emerge from Jouvet’s expressions of kinship with a flirtatious singer (Suzy Delair) and a lesbian photographer (Simone Renant), but there are also memorable portraits of the singer’s mousy pianist husband (Bernard Blier), a music publisher (Henri Arius), and several others. In French with subtitles. 106 min. (JR)
This appeared in the January 6, 2006 issue of Chicago Reader. For some reason, it appears to have eluded the Reader’s web site archive, apart from its title, and therefore escaped this web site as well, until I found a way of pasting it in. — J.R.
The Best Film of the Past Two Years
And 24 more picks from what the industry thought us yokels could handle in 2005
By Jonathan Rosenbaum
To choose the best movies of 2005 is to compromise. I limit my list of candidates to films that have screened in Chicago, but I could easily fill it with movies that haven’t screened in the U.S. at all, and God knows what I’ve missed altogether. I’m at the mercy of studio heads, distributors, and publicists, whose decisions about what to release and when defy comprehension.
I saw Woody Allen’s Match Point in Madrid in mid- November, believing the distributor’s announcement that it would open in Chicago in December. Surprised at how much I liked it, I decided it probably belonged on my list, but then some industry executives decided that only the people in New York and Los Angeles should get to see it this year (in time for Oscar nominations), not the less discriminating moviegoers in the Chicago boondocks. Read more