Daily Archives: June 17, 2022

The World as Media Screen: Tarantino and Trump as Soul-Brothers

The Spanish monthly film magazine that I write for, Caiman Cuadernos de Cine, invited me in the summer of 2019 to expand on my latest column for them as well as a few Facebook posts about Tarantino’s Once Upon a Time in Hollywood. Here is the result. — J.R.

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Has 9/11 or the war on terror had any impact on you personally or creatively? 

9/11 didn’t affect me, because there’s, like, a Hong Kong movie that came out called Purple Storm and it’s fantastic, a great action movie. And they work in a whole big thing in the plot that they blow up a giant skyscraper. It was done before 9/11, but the shot almost is a semi-duplicate shot of 9/11. I actually enjoyed inviting people over to watch the movie and not telling them about it. I shocked the shit out of them. But, again, I was almost thrilled by that naughty aspect of it. It made it all the more exciting.

But on some level you must have been caught up in the reality of 9/11.

I was scared, like everybody else. “OK, what is this new world we’re going to be living in? Is it going to be fucking Belfast here?” And I didn’t want to fucking fly nowhere. Read more

Faithless Re-creation [the GLORIA remake]

From the Chicago Reader (January 29, 1999). — J.R.

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Gloria

Rating * Has redeeming facet

Directed by Sidney Lumet

Written by Steven Antin

With Sharon Stone, Jean-Luke Figueroa, Jeremy Northam, Cathy Moriarty, Mike Starr, Bonnie Bedelia, and George C. Scott.

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I don’t much relish remakes, especially of movies I like — I’ve avoided seeing the new Payback, a retooling of John Boorman’s Point Blank (1967) — but the idea of Sidney Lumet remaking John Cassavetes’s Gloria (1980) with Sharon Stone seemed to offer possibilities. After all, Cassavetes wrote the script for MGM thinking someone else would direct it; he wound up directing it himself for Columbia only because his wife, Gena Rowlands, was the star and the studio asked him to. “Look, I’m not very bright,” he insisted in an interview. “I wrote a very fast-moving, thoughtless piece about gangsters. And I don’t even know any gangsters. Gloria has a wonderful actress and a very nice kid [John Adames] who’s neither sympathetic nor unsympathetic. He’s just a kid. He reminds me of me — constantly in shock, reacting to this unfathomable environment.” Later he added that when he began shooting Gloria, “I was bored because I knew the answer to the picture the minute we began….All Read more