Despite its sentimental aspects, this youthful, semitragic tale of two Chinese mainlanders in Hong Kong — the wonderful Maggie Cheung (Actress, Irma Vep) and pop star Leon Lai — and their fluctuating relationship as friends and lovers is the most moving film I’ve seen yet about that city’s last years under colonial rule (though the film’s final sections are set mainly in New York, where both characters emigrate). I suspect many Chinese viewers feel the same, because the film cleaned up at this year’s Hong Kong Film Awards, sweeping no less than nine categories (including best director, film, screenplay, and actress). Set between 1986 and 1996, and visualized by director Peter Chan with a great deal of inventiveness and lyricism, this movie is full of heart and humor, capturing the times we’re living in as no Western film could. Watch for a charming cameo by Christopher Doyle, the premier cinematographer of the Hong Kong new wave, as an English teacher. Film scholar and former Chicagoan Patricia Erens, now based at Hong Kong University, will introduce the Friday screening. Film Center, Art Institute, Columbus Drive at Jackson, Friday, August 22, 6:00; Saturday, August 23, 8:00; Sunday, August 24, 4:00; and Tuesday, August 26, 7:30; 312-443-3737.… Read more »
This appeared in the April 4, 1997 issue of the Chicago Reader. –J.R.
Rating * (Has redeeming facet)
Directed and written by Alexander Payne
With Laura Dern, Swoosie Kurtz, Kurtwood Smith, Mary Kay Place, Kelly Preston, M.C. Gainey, Burt Reynolds, and Tippi Hedren.
Inventing the Abbotts
Rating *** (A must see)
Directed by Pat O’Connor
Written by Ken Hixon
With Joaquin Phoenix, Billy Crudup, Will Patton, Kathy Baker, Jennifer Connelly, Liv Tyler, Joanna Going, Barbara Williams, and Michael Sutton.
By Jonathan Rosenbaum
The best insight into 20th-century repression I’ve encountered recently is contained in Sidney Blumenthal’s piece about Whittaker Chambers in the March 17 issue of the New Yorker. Chambers “lived in a time when it was easier to confess to being a [communist] spy than to confess to being a homosexual,” Blumenthal notes. He also remarks that Chambers’s behavior as a spy — “furtive exchanges, secret signals, false identities” — resembled his behavior as a homosexual, and that he “and a pantheon of anti-Communists for whom conservatism was the ultimate closet — J. Edgar Hoover, Roy Cohn, and Francis Cardinal Spellman — advanced a politics based on the themes of betrayal and exposure, ‘filth’ (as Hoover called it) and purity.… Read more »