Daily Archives: April 28, 2022

Rita, Sue And Bob Too

From the Chicago Reader (September 1, 1987). This film is now available on Blu-Ray from Twilight Time. — J.R.

rita-sue-and-bob-too

Rita (Siobhan Finneran) and Sue (Michelle Holmes), two teenagers in the north of England who are the best of friends, lose their virginity to Bob (George Costigan), a suburban husband they sometimes baby-sit for, and before long their amicable three-way relationship is scandalizing the neighbors and members of their families, including Bob’s wife Michelle (Lesley Sharp). Shot in and around the town of Bradford in long, loping takes, this sprightly comedy, adapted by Andrea Dunbar from her own play, has some of the energy that one associates with the better exploitation films that used to be produced by Roger Corman. Television director Alan Clarke has a fine time showing how the working-class white and Pakistani communities rub shoulders with the middle class, and although the plot has curious omissions — we never discover, for instance, what Bob does for a living — the spirited acting and direction turn this into something of a lark (1987). (JR)

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Baby Doll

From the Chicago Reader (January 17, 2007). — J.R.

One of Elia Kazan’s most underrated movies is his only pure comedy, scripted by Tennessee Williams and shot on location in rural Mississippi. Carroll Baker stars (in her debut) as a virgin child bride hitched up to Karl Malden at his most unsavory; Eli Wallach (in another debut) is brilliant as Malden’s business rival who manipulates both of them. Though this film was roundly condemned for salaciousness by the Legion of Decency when it came out (1956), its plot actually pivots around the ambiguous matter of whether sex actually takes place or not, and it’s the seediness of the southern milieu — Baker’s dirty neck rather than her dirty mind or morals — that seemed to have the censors up in arms. But it’s largely Kazan’s authentic feeling for the locale, aided by Boris Kaufman’s superb black-and-white cinematography, that makes this movie so special, combined with first-rate ensemble work. With Mildred Dunnock. 114 min. (JR)

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