Daily Archives: April 21, 2022

SÁTÁNTANGÓ at 15

Early in 2009, I received a phone call from Béla Tarr, asking me if I could write a page about Sátántangó (1994) for a Hungarian newspaper to celebrate its 15th anniversary. Here’s what I sent him. —J.R.

 

Sátántangó at 15

 

Congratulations to Sátántangó on its 15th anniversary. Now that it’s a teenager, I’m happy that English-speaking fans can finally, at long last, look forward to an English translation of László Krasznahorkai’s novel.  As a member of PEN, I was invited last year to suggest literary works for English translation. After I proposed Sátántangó and they published my response, I received a note from Barbara Epler of New Directions: “We are waiting on the delivery of its translation by the great George Szirtes, eagerly waiting, and will publish it as soon as we can. (We already have his translations of László’s The Melancholy of Resistance and War & War.)” So once it appears, I’ll no longer have to depend on the French translation by Joëlle Dufeuilly (2000) published by Gallimard, which I’ve owned for many years.

The film finally became available here last year on DVD from Facets Video, helping to demonstrate how much cinema as a “language” is more easily translatable than literature. Read more

The Self-Aware Action Hero [on LAST ACTION HERO]

From the Chicago Reader (June 24, 1993). — J.R.

LAST ACTION HERO

** (Worth seeing)

Directed by John McTiernan

Written by Shane Black, David Arnott, Zak Penn, and Adam Leff

With Arnold Schwarzenegger, Austin O’Brien, Charles Dance, Anthony Quinn, Tom Noonan, Mercedes Ruehl, F. Murray Abraham, and Robert Prosky.

The word is out:  Last Action Hero is an unmitigated disaster. The sound of studio panic was plainly audible in a report in the June 17 New York Times that Columbia Pictures threatened to sever all communications with the Los Angeles Times if it didn’t guarantee it would “never again run a story written or reported by Jeff Wells about (or even mentioning) this studio, its executives, or its movies.” Wells’s crime was a June 6 article in the Los Angeles Times reporting that a test-marketing preview of Last Action Hero held in Pasadena about two weeks earlier had been disappointing. The article contained “categorical denials” from several studio executives that such a screening had ever taken place, but clearly this wasn’t enough for the industry people. As Wells told the New York Times, “You’re talking about a studio in a major meltdown mode. These guys are blitzing out here.”

I read this story only hours before seeing another “disappointing” preview of Last Action Hero in Chicago, after several weeks of hearing rumors that the picture was a “mess” and in deep, deep trouble. Read more