Daily Archives: March 9, 2022

GHOST STORY (1975 review)

From Monthly Film Bulletin, July 1975 (vol. 42, no. 498). –- J.R.

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Ghost Story

Great Britain, 1974

Director: Stephen Weeks

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England; 1930. Talbot and Duller, former schoolmates of

McFayden, are summoned by the latter to a country house

supposedly belonging to a friend of his father for a weekend

of grouse hunting. Ragged and isolated by the other two for

his callow enthusiasm, Talbot is puzzled to find a warm

teacup and an odd-looking doll in his bedroom. In the

morning, he witnesses a scene in the parlor enacted by

people living forty years ago: Robert Quickworth signing

his sister Sophy over to Dr. Borden’s insane asylum, despite

the protests of her maid. At first Talbot assumes this to be

an elaborate practical joke, but after seeing people who

resemble these characters in the village pub and

dreaming or half-dreaming further episodes — in which

the doll leads him to Borden’s asylum -– he becomes

increasingly obsessed with the intrigue. Meanwhile

Duller, who has come to the house to seek ghosts with

‘scientific’ equipment, is disgruntled when all his

experiments fail and he insists on leaving. McFayden

confesses to Talbot that he has recently inherited the

house and invited him and Duller there to ‘test’ it

for ghosts, mentioning a cousin of his father’s who

went mad there. Read more

Hot Blood

From the March 15, 2002 Chicago Reader. — J.R.

Hot-Blood

While not really a success, Nicholas Ray’s 1956 film about urban Gypsies, made between two of his near-masterpieces (Rebel Without a Cause and Bigger Than Life), has its share of interesting moments and vibrant energies, many of them tied to Ray’s abiding interest in the folkloric. In some respects this color ‘Scope feature comes closer than any of his other movies to the musical that Ray always dreamed of making: there’s a defiant dance on the street performed by Cornel Wilde, a dynamic whip dance between Wilde and Jane Russell that’s even more kinetic, and a Gypsy chorus that figures in other parts. Definitely one of the more intriguing and neglected of Ray’s second-degree efforts. 85 min. A 35-millimeter ‘Scope print will be shown. Gene Siskel Film Center, 164 N. State, Sunday, March 17, 6:00, 312-846-2800.

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