Daily Archives: January 3, 2022

Course File on Experimental Film (Part 1) (1982)

From AFI Education Newsletter (January-February 1982). Because of the length of this, I’ll be running it in two installments. — J.R.

EXPERIMENTAL FILM:

FROM UN CHIEN ANDALOU TO CHANTAL AKERMAN (Part 1)

UNIT l: lntroduction

One distinct advantage to teaching a course in experimental film as opposed to avant-garde film is that it automatically gives one much more leeway in terms of screenings to be selected as well as overall teaching approaches. While “avant-garde cinema” can be regarded, by and large, as a distinct body of work with its own traditions, history and critical literature, “experimental film” is a rather more subjective and ambiguous category, and one that cuts across certain forms of commercial as well as avant-garde filmmaking. (There are many more references to various commercial forms of filmmaking, including Hollywood, in David Curtis’s Experimental Cinema, than there are in P. Adams Sitney’s Visionary Film: The American Avant-Garde.)

Consequently, any teacher setting out to plan a course in experimental rather than avant-garde cinema automatically has a greater amount of material to select from, and substantially more freedom in defining the scope and limits of his or her subject. By the same token, the demands placed on one’s imagination, creative input and organizational capacities might also be significantly greater. Read more

Artful Imitations

From the Chicago Reader (July 17, 1992). — J.R.

UNIVERSAL SOLDIER

** (Worth seeing)

Directed by Roland Emmerich

Written by Richard Rothstein, Christopher Leitch, and Dean Devlin

With Jean-Claude Van Damme, Dolph Lundgren, Ally Walker, Ed O’Ross, Jerry Orbach, Leon Rippy, Tico Wells, and Ralph Moeller.

UNLAWFUL ENTRY

** (Worth seeing)

Directed by Jonathan Kaplan

Written by Lewis Colick, George D. Putnam, and John Katchmer

With Kurt Russell, Ray Liotta, Madeleine Stowe, Roger E. Mosley, Ken Lerner, Deborah Offner, Carmen Argenziano, and Andy Romano.

A LEAGUE OF THEIR OWN

** (Worth seeing)

Directed by Penny Marshall

Written by Lowell Ganz and Babaloo Mandel

With Geena Davis, Madonna, Lori Petty, Tom Hanks, Jon Lovitz, David Strathairn, Garry Marshall, Megan Cavanagh, and Rosie O’Donnell.

PRELUDE TO A KISS

** (Worth seeing)

Directed by Norman Rene

Written by Craig Lucas

With Alec Baldwin, Meg Ryan, Sydney Walker, Ned Beatty, Patty Duke, Kathy Bates, and Richard Riehle.

Out of all the genres represented by this summer’s crop of movies, there are at least three that haven’t yet been officially recognized. There are sequels like Lethal Weapon 3 and Batman Returns whose true genres are not so much old-fashioned categories like police thriller and fantasy adventure as “this summer’s Lethal Weapon movie” and “this summer’s Batman movie.” Read more