Daily Archives: December 19, 2021

Le Trio Infernal, Un Homme Qui Dort, Steppenwolf

From Oui (December 1974). – J.R.

the-infernal-trio

Le Trio lnfernal. It’s the Christmas season and Michel Piccoli shoots

a man in the eye — straight through a newspaper he’s reading — while

downstairs, Romy Schneider is finishing off Andrea Ferreol with

similar dispatch. The bodies are stripped clean and plunked into

adjacent bathtubs,  which Piccoli promptly fills with  sulfuric acid.

Mascha Gomska, Schneider’s sister — who completes the infernal

trio of murderers who slaughter people for their life insurance –

barfs on the living-room carpet, while offscreen, excited by all

these gay and yummy events, Schneider is giving Piccoli an

impromptu blowjob in the bathroom. Later on, after the bodies have

decomposed, Piccoli dons a gas mask, ladles the slop into pails,

then empties the heady stew outdoors while one of the girls is

shown eating spaghetti. Excessive? This Grand Guignol comedy is

nothing but, as it chronicles the exploits of three glamorous

monsters butchering their way to wealth, with lots of kinky sex

on the way. Francis Girod, a producer-turned-director, exhibits an

unusual amount of expertise in his first film.  But most of the show

belongs to Piccoli, who dances through all of the Thirties décor

performing a veritable concerto of comic invention. And for

sound-effects freaks, the bathtub glop is recorded so lovingly as it

gurgles into a pit that you can almost taste it. Read more

Films of the Year [2015]

 From the January 2015 issue of Sight and Sound. — J.R.

HorseMoney
Horse Money
Director(s): Pedro Costa

adieu-au-langage

Adieu au langage
Director(s): Jean-Luc Godard

locke
 
Locke
Director(s): Steven Knight

TheOwners
 
The Owners
Director(s): Adilkhan Yerzhanov


 citizenfour
Citizenfour
Director(s): Laura Poitras

Borgen sc1244

TV vote
Borgen
Director(s): several

***

Today

redrosetrailer

WORDSANDPICTURES

Remarks:
 
Sadly, I’ve had to omit two exceptional Iranian films (Reza Mirkarimi’s Today, Sepideh Farsi’s Red Rose), two exceptional performances by Juliette Binoche (Fred Schepisi & Gerald Di Pego’s Words and Pictures, Olivier Assayas’s Clouds of Sils Maria), Alain Resnais’ final feature (Life of Riley), and the belated appearance of Orson Welles’ unfinished and ancient but still-sprightly Too Much Johnson. But my top five continue to provoke and expand. Horse Money and The Owners need to travel more, and Locke, which feels like a classic heroic Western, deserves to be recognized as more than just a stunt or tour de force. Adieu au language re-invents 3-D and cinema, and Horse Money, like The Owners, Citizenfour, and Today (not to mention Borgen, in its own fashion). re-invents both the world and its moral prerogatives.

cloudsofsilsmaria

aimer-boire-et-chanter

TooMuchJohnson Read more