Daily Archives: August 27, 2021

Welles in the Lime Light

From the July 30, 1999 issue of the Chicago Reader. This is also reprinted in my book Discovering Orson Welles. In retrospect, I clearly should have given this movie four stars. — J.R.

The Third Man

Rating *** A must see

Directed by Carol Reed

Written by Graham Greene

With Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard, Bernard Lee, Wilfrid Hyde-White, Ernst Deutsch, Siegfried Breuer, and Erich Ponto.

Ironically, the most successful and beloved movie Orson Welles was ever associated with — and the one that may have had the most significant effect on the remainder of his career — has not been one of his own. Admittedly, Citizen Kane has more prestige, but that’s a relatively recent development; for the first quarter of a century after it was made, it was criticized as “uncinematic” in the few standard works of film history available, such as The Liveliest Art and The Film Till Now. Instead it was The Third Man (1950) that was most often cited with pleasure when Welles’s name came up. “Didn’t he direct that?” was something I used to hear a lot. Today I hear “Didn’t he direct at least some of the scenes?”… Read more »

Eyes and Ears Have It (Slate post, late 2005)

Eyes and Ears Have It

By Jonathan Rosenbaum

Dec 28, 2005 5:14 PM

Hi, Gang:

Here’s my promised list: 25 films in 20 entries, allowing for five ties. I’ve made it somewhat different from my Village Voice ballot and my forthcoming Chicago Reader list by changing some of the ground rules: The only criterion for inclusion is a public screening somewhere in the United States, and the order is strictly alphabetical rather than hierarchical. I’ve appended comments to each entry, including some remarks about performances (good idea, Tony) and some responses to other comments. Tony’s point that more films are becoming easier to see, at least on DVD, is well taken; this means that most (if not all) of my choices will be obtainable that way in the coming year, if they aren’t already.

cafelumiere

 

FearAndTrembling

Café Lumière and Fear and Trembling. Two first-rate alternatives to the dubious Lost in Translation, both showing how one can view Japan from a foreign viewpoint with some nuance and a bit more sensitivity than simple class blindness. Politesse isn’t the issue. Though I’ve yet to find a Japanese person who can bear Sofia Coppola’s film, I don’t know if Alain Corneau’s even more unflattering Stupeur et tremblement — about the suffering of a Belgian woman (Sylvie Testud) working for a corporation in Tokyo and trying to conform to the local protocol — has even shown in Japan.… Read more »

Quick Change Artists

From the Chicago Reader (July 19, 1996). — J.R.

Specialeffectsimaxfilm

 

Special Effects

Rating * Has redeeming facet

Directed by Ben Burtt

Written by Susanne Simpson, Burtt, and Tom Friedman

Narrated by John Lithgow.

Multiplicity

Rating * Has redeeming facet

Directed by Harold Ramis

Written by Ramis, Chris Miller, Mary Hale, Lowell Ganz, and Babaloo Mandel

With Michael Keaton, Andie MacDowell, and Harris Yulin.

The Frighteners

Rating — Worthless

Directed by Peter Jackson

Written by Fran Walsh and Jackson

With Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Jeffrey Combs, Dee Wallace Stone, and R. Lee Ermey.

The Nutty Professor

Rating ** Worth seeing

Directed by Tom Shadyac

Written by David Sheffield, Barry W. Blaustein, Shadyac, and Steve Oedekerk

With Eddie Murphy, Jada Pinkett, James Coburn, Larry Miller, Dave Chappelle, and John Ales.

Looking around at the big summer movies, I see reason to assume that the state of the art of film art now equals the state of the art of special effects. The belief in capitalist growth as spiritual progress that permeates this culture seems to have been given particular currency: as film technology becomes more and more sophisticated, the art of film can only rise accordingly.

But does the development of morphing automatically make the Eddie Murphy Nutty Professor more artistic than the Jerry Lewis Nutty Professor (1963)?… Read more »