Monthly Archives: November 2017

FILMMAKERS UNITE (FU): A COLLECTIVE RESPONSE TO THE CURRENT REGIME OF THE U.S.

Filmmakers Unite

It’s the last day of the Cine Palium Fest in Palo del Colle, a medieval

village in southern Italy, where I’ve been serving on one of the juries,

and for me the highlight of the week has been the world premiere this

morning of an omnibus feature coproduced by Jay Rosenblatt and

Ellen Bruno consisting of thirteen very diverse but entertaining

pieces of anti-Trump agit-prop by seventeen filmmakers, in the

following order: Sarah Clift (a charming fiction about a Mexican

mother riding on her motorbike to a remote cave to acquire a huge

Trump doll from a mysterious shaman to serve as her little boy’s

birthday piƱata), Pacho Velez and Nicole Salazar (the Trump

Inauguration as seen or ignored at the Tijuana border control), Kate

Amend and Pablo Bryant, Shy Hamilton, Ferne Pearlstein, Rosenblatt

(a characteristically Rosenblattian creepy and funny reworking of found

footage), Kris Samuelson and John Haptas, Usama Alshaibi (a scary look

at and listen to what American talk radio sounds like to someone with a

Muslim background who’s driving), Chel White, David Sampliner and

Rachel Shuman, Alan Berliner (a succinct way of summarizing what a

divided country consists of and feels like), Eva Ilana Brzeski (heart-

stopping portraiture of fellow Americans that reminds me of both

Dovzhenko and Costa), and Jeremy Rourke (reminding us of how joy

can be an empowering form of resistance).… Read more »

The Promise

Chen Kaige clearly intended this Chinese fantasy-action spectacle to top Zhang Yimou’s Hero, and I must admit that I prefer it to the earlier movie: the digital effects are sometimes excessive, yet Chen’s story of a loyal slave, his master, and a wealthy, seemingly doomed princess is more affecting, especially in the closing stretch. Chen’s original U.S. distributor, the Weinstein Company, ordered him to shorten the movie from its original running time of 128 minutes and then dropped it. (It’s worth recalling that his 1996 feature Temptress Moon was severely damaged by Miramax’s recutting.) Now Warner Independent Features is releasing the abbreviated, 102-minute version, and it’s well worth checking out. PG-13. Century 12 and CineArts 6, Esquire, Landmark’s Century Centre.

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