After achieving the nadir of the series with the misleadingly named Star Trek V: The Final Frontier (1989) and then offering a second false promise with Star Trek VI: The Undiscovered Country (1992), the Star Trek brigade return with yet another big-screen adventure (1994). Cast members from the 60s TV series and Star Trek: The Next Generation (including an uncredited Whoopi Goldberg) join captains Jean-Luc Picard (Patrick Stewart) and James T. Kirk (William Shatner) in the 24th century, where we find them pondering their mortality (or their immortality) in separate scenes. A lot of time is spent tweaking and indulging Trekkie nostalgia and recycling favorite motifs (while boring everybody else), so that an Aw, shit! from a robot character is clearly meant to resonate with something like the emotional complexity of Shall We Gather at the River in a John Ford picture, but at least the special effects and outer space vistas are more handsome than usual. Directed by David Carson from a script by Ronald D. Moore, Brannon Braga, and producer Rick Berman. With Jonathan Frakes, Brent Spiner, Levar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Malcolm McDowell, James Doohan, and Walter Koenig. (JR) Read more
Fridrik Thor Fridriksson’s Icelandic feature about a boy coming of age during the 60sgrowing up on American movies and TV shows in Reykjavik, then discovering nature and traditional Icelandic culture at a relative’s farm. To be shown with a short film from Italian animator Bruno Bozzetto, Drop. Read more
Mijke de Jong’s Dutch feature is a love story set in present-day Amsterdam between a woman who lives on a barge and hangs out with musicians, junkies, and illegal aliens, and a small-time lawyer who disapproves of her friends. To be shown with a short film from France, Michel Peterli’s Rue Vavin. Read more
Marie is a petty thief, Joe her law-abiding lover; both dream of becoming music stars, and they have to leave their Swiss coastal town after Marie shoots a man during an abortive robbery, hoping to escape to America. A Swiss feature directed by Tania Stocklin. Read more
A program of eight short films from France: Didier Flamand’s The Screw, Yvon Marciano’s Emile Muller, Jean-Louis Milesi’s It Happens in Ecuador, Remy Burkel’s Ayrton the Bug, Kram and Plor’s FoudamourThe Promised Moon, Laurence Maynard’s The Mobius Strip, Philippe Robert and Jean-Claude Thibaut’s The Wings of the Shadow, and Vincent Mayrand’s Deus ex machina. Read more
A 1994 collection of short narrative films by Mani Kaul (The Cloud Door), Ken Russell (The Insatiable Mrs. Kirsch), and Susan Seidelman (The Dutch Master), each a little under a half-hour long. The two I’ve seen in this batch are both recommended, especially Kaul’s enchanting, beautiful, and provocative fairy tale. Russell’s characteristically over-the-top sketch, which concerns a vacationing tourist’s crazed erotic imaginings about a woman staying at the same hotela good example of Russell enjoying a healthy laugh at the expense of his own puritanical hysteria. The combined length is 79 min. (JR) Read more
This shorts program was originally compiled for a personal appearance by director Jim Jarmusch at last December’s Movieside Film Festival but proved so popular that the organizers have scheduled an encore screening. It’s indicative of Jarmusch’s singular taste that all but two of these items — Sara Driver’s energetic documentary The Bowery (1994) and Hype Williams’s equally energetic music video I Got ‘Cha Money (1999) — are in black and white. The others, in chronological order of release, are Buster Keaton’s wonderful The High Sign (1920); Max Fleischer’s wild surrealist cartoon Bimbo’s Initiation (1931); Carl Dreyer’s spooky public-service short on auto safety, They Caught the Ferry (1948, in Danish with subtitles); Orlando Jiminez Leal and Saba Cabrera’s celebration of Havana street life, P.M. (1961); Anthony Balch’s strange experimental film with William S. Burroughs, Towers Open Fire (1963); Jem Cohen’s reflective video about a Manhattan crowd after a street parade, Little Flags (2000); and Jarmusch’s leisurely Int. Trailer. Night. (2002), which follows Chloe Sevigny in a trailer during ten minutes between takes on an urban movie location. (JR)
Read more
