Daily Archives: February 1, 2001

The Malady Of Death

Adapted from a Marguerite Duras story that’s read offscreen by J.D. Trow, about sexual encounters between a man and woman, this 1994 film by Jeffrey Skoller explores the male body like a landscape, softly intercutting ocean waves, a bit of found footage, and a lot of very Durasian black leader; the overall effect is legato, lyrical, hypnotic, and incantatory. 43 min. (JR) Read more

Chunhyang

Set in the late 18th century, this dazzling epic by Im Kwon-taek (Fly High Run Far) concerns the love between a prostitute’s daughter and the son of a provincial governor, who marry in secret but are then driven apart. Im is Korea’s most prestigious filmmaker (with about 100 features to his credit), and his stirring 2000 drama is both historically resonant and strikingly modern, remarkable for its deft and spellbinding narrative, its breathtaking color, and above all its traditional sung narration, which he periodically shows being performed with drum accompaniment before a contemporary audience. This is one of those masterpieces that would qualify as a musical if Hollywood propagandists hadn’t claimed the genre as their personal property. A must-see. 120 min. (JR) Read more

Boesman & Lena

Danny Glover and Angela Bassett are highly impressive as a quarrelsome derelict couple in this 1999 film adaptation of Athol Fugard’s play about the internal damage caused by racism and poverty in South Africa. Director-screenwriter John Berry staged a successful production of the play off-Broadway in 1970, starring James Earl Jones, and his film, shot on location in and around Cape Town, plays rather daringly with the similarities and differences between theater and cinema, making the locales seem stagy yet using the ‘Scope format in an exciting, dynamic manner that recalls the 50s mise en scene of Nicholas Ray. Berry died shortly after the film was completed, and it stands as a deeply affecting conclusion to a stage and screen career that included acting with Orson Welles’s Mercury Theatre in the 30s and being blacklisted by Hollywood in the early 50s. A white man whose family had its ups and downs, economically speaking, Berry always had a particular feeling for what it means to be poor as well as black, and with the help of his wonderful actors he makes the most of it here. 88 min. (JR) Read more

Keep Your Right Up

Basically an episodic comedy, Jean-Luc Godard’s Soigne ta droite (1986, 82 min.), a French-Swiss coproduction, features Godard himself as the comic lead, rehearsals of the rock group Rita Mitsouko, a good many gags (some involving golf and travel), and a lot of cameos from well-known French actors, including Jane Birkin, Bernadette Lafont, and Jacques Villeret. The biggest surprise here though is Godard’s modification of his own persona: in contrast to the grumpy, would-be sages of First Name: Carmen and King Lear, his benign and ethereal character is positively Keatonian, with echoes of Tati’s Monsieur Hulot as well. (Early in the film, he executes a surprisingly deft Keaton-like gag of diving through a car window.) The main comic inspiration, by Godard’s own admission, is Jerry Lewis — specifically the airplane sequence in Cracking Up, though what Godard does with it seems even more quizzically eccentric than the model. Godard is also seen grasping a copy of Dostoyevsky’s The Idiot, which may provide some clues about what he’s up to. This isn’t one of Godard’s best features, though it certainly has its moments, and I much prefer it to his more recent For Ever Mozart. (JR)

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