The angels are newDrew Barrymore, Cameron Diaz, and Lucy Liubut the mythology of the old TV show, with John Forsythe intoning the offscreen Voice of God (i.e., Charlie), remains the same. The first third or so offers all the dominatrix fantasies one might wish for, but then fantasy gives way to the aggressiveness of the special effects and optical effects, which reflect the background of the director, McG, in commercials and music videos and offer something like mild but frequent electric shocks. The plot fluctuations guarantee a costume change every few minutesat least until the closing stretch, when the movie becomes simply another James Bond derivativeand they might be enough to keep you interested. Bill Murray makes a fairly funny Bosley, and Tim Curry, Kelly Lynch, and Crispin Glover all do pretty well as heavies. The script is credited to Ryan Rowe, Ed Solomon, and John August. 92 min. (JR)