Two medium-length experimental films dealing with the male body that seem derived from nearly antithetical aesthetic positions. Jeffrey Skoller’s 1994 The Malady of Deathadapting a characteristic Marguerite Duras story that’s read offscreen by J.D. Trow, about sexual encounters between a man and womanexplores the male body like a landscape, softly intercutting ocean waves, a bit of found footage, and a lot of very Durasian black leader; the overall effect is legato, lyrical, hypnotic, and incantatory. By contrast, Michael Wallin’s 1995 Black Sheep Boywhich also has an offscreen commentary about desire and is much more blatantly homoeroticis all staccato jump cuts, hard surfaces, and leering poses for the camera. (JR)