A lot of time is squandered in setting up this celebration of the English music hall by writer-director Peter Chelsom (Hear My Song). The needlessly cluttered plot offers an obscure intrigue involving French smugglers, and there’s a mainly wasted Jerry Lewis. But once the film settles in Blackpool, where the putative hero (Oliver Platt), a failed comic, goes in search of new material as well as his childhood roots, English music hall comics (Freddie Davies, George Carl, andespeciallyLee Evans) gradually take over the movie, and it gets better and better, eventually climaxing in a jaw-dropping finale. Passing compensations are offered by Lewis and Leslie Caron, and also on hand are Richard Griffiths and Oliver Reed; Peter Flannery collaborated on the screenplay. (JR) Read more
A slight but charming parable with metaphysical undertones, this 1995 romantic comedy stars Johnny Depp as a 21-year-old who believes himself to be the famous Don Juan. After threatening suicide, he’s arrested and turned over to a psychiatric clinic, where a doctor on the verge of retirement (Marlon Brando) takes over his case, falls under the spell of the youth’s imaginary past, and finds his own romantic feelings for his wife (Faye Dunaway) rejuvenated. This first feature by novelist and psychologist Jeremy Leven has a fairly rudimentary mise en scene, but the actors take over the proceedings with aplomb, and Brando and Dunaway have the grace to turn much of the show over to Depp, who carries the burden with ease. Coproduced by Francis Ford Coppola. With Rachel Ticotin, Bob Dishy, Talisa Soto, Marita Geraghty, and Richard Sarafian. PG-13, 97 min. (JR) Read more
