Having now experienced two years’ worth of the Chicago International Film Festival, I’m not the least bit surprised to learn that the 25th-anniversary version, the largest to date, is starting on Thursday, October 12, three days before “opening night.” We’ll have plenty to say about this event when it gets fully under way next week; for the moment, here are reviews of the four films to be shown on Thursday, written by Gerald Peary, Ronnie Scheib, Barbara Scharres, and John Stevenson; films preceded by an asterisk (*) are recommended.
The Thursday films will be shown at the Music Box, 3733 N. Southport, and the University of Chicago, 1212 E. 59th St.; ticket prices are $6, $5 for Cinema/Chicago members. For further information, call 644-3456. –Jonathan Rosenbaum
*Jesus of Montreal
Denys Arcand had his first worldwide hit in 1986, with the intellectual sex comedy The Decline of the American Empire, although this smart and witty Quebec director is no novice. A well-known name in Canadian film since a notorious banned sociopolitical documentary in 1970, Arcand turned to fiction features and has become one of the sharpest and most irreverent observers of North American culture and middle-class values working today. In Jesus of Montreal, Daniel, a young unemployed actor, is hired by a priest with patron-of-the-arts pretensions to revive a wheezy 50s passion play for performance on a mountainside above Montreal. Read more