English performance artists Gilbert Proesch and George Passmore, who have been appearing in tweed suits and making bizarre forays into the art world since 1968mysterious appearances and performances that are somewhere between dry social analyses and deadpan put-onshave made their own film about their activity, shot by German cinematographer Martin Schafer (1980). On the same program, Helene Klo<-daw<-sky's U.S. documentary about the controversial political collage painter Sue Coe, Painted Landscapes (1986).