From the Chicago Reader (August 23, 2002).
In 1952 beat painter and filmmaker Alfred Leslie wrote a play based on an argument he witnessed between art critic Clement Greenberg and abstract expressionist painters at a celebrated hangout in Greenwich Village. The text was lost in a 1966 fire that also consumed most of Leslie’s paintings and films, but 20 years later he reconstructed it from memory and added songs, and in 1997 a staged reading was videotaped with three cameras. Leslie found the results visually boring, so he decided to insert an enormous quantity of found footage from newsreels, porn films, and Hollywood movies, either to illustrate or to play against the ongoing discussion. The opening clip, a clown singing in squawks and squeaks that are subtitled with some invective from critic Hilton Kramer, sets the tone perfectly; like many fine filmmakers who’ve worked with found footage in recent years (such as Jean-Luc Godard and Mark Rappaport), Leslie is an expert indexer, and his taste for the silliest, sexiest, and most surreal manifestations of American culture is so infectious that the debate about artists and critics in this 2001 video improbably becomes infused with joy. 84 min. (JR) Leslie, the festival’s guest of honor, will attend the screening to introduce and discuss his work. (7:00)