From the January 1, 2000 Chicago Reader. — J.R.
French movies about sexual and romantic obsession may be a dime a dozen, but what’s exceptional about Cedric Kahn’s 1998 film — apart from the fact that it’s a comedy — is its overall sense of sanity. A 40ish philosophy professor (Charles Berling) encounters the chunky, easygoing teenage model (Sophie Guillemin) of a recently deceased painter and starts meeting her for sex on a daily basis; gradually he becomes obsessed with her normality, trying to turn her into a femme fatale. Part of what makes this so funny is Guillemin’s unforced performance, which makes her imperturbable directness as believable as the professor’s neurosis. The sex scenes are fairly explicit, but to his credit Kahn doesn’t allow them to mythologize the characters. With Arielle Dombasle (sporting an uncharacteristic Louise Brooks hairdo) and the late Robert Kramer. In French with subtitles. 122 min. (JR)
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From the Chicago Reader (November 16, 1999). — J.R.
James Bond will return, says the closing title of this somewhat better than average 007 adventure, but the bottom line is that he’s never been away. The cold war may be dead and buried, but British intelligence needs to be kept busy, even if this means — as the script briefly and wittily suggests — creating its own enemies. With an appropriately imperialistic title (does it apply to the villains or to Anglo-American intelligence? does it matter?), a better than average director (Michael Apted), and locations ranging from Spain to Azerbaijan to Turkey, this keeps one reasonably amused, titillated, and brain-dead for a little over two hours. The principal Bond babes this time around are Sophie Marceau and Denise Richards, not counting Judi Dench as Bond’s boss; Bruce Feirstein and Michael France had something to do with the script (1999, 127 min.). (JR)
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