Daily Archives: December 30, 2019

En movimiento: Denial Incorporated and Cinematic Substitutes

My column for the December 2019  Caimán Cuadernos de Cine. — J.R.

En movimiento: Denial Incorporated and Cinematic Substitutes

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Given how much we watch [TV] and what watching means, it’s inevitable, for those of us…who fancy ourselves voyeurs, to get the idea that these persons behind the glass — persons who are often the most colorful, attractive, animated, alive people in our daily experience — are also people who are oblivious to the fact that they are being watched. This illusion is toxic.

—David Foster Wallace

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La Scala Woody Allen, Milan, Italy - 02 Jul 2019

 

Insofar as “political correctness” often functions as a sad form of compensation for political powerlessness — so that one winds up eagerly penalizing a Roman Polanski or a Woody Allen for a real or imagined crime committed decades ago largely because one can’t find a way of getting rid of a Donald Trump in the present — the degree to which simple denial plays a role in governing one’s consumer choices needs to be recognized. What may be most significant about the flood of negative reviews in the U.S. given to Joker after both a slew of domestic mass shootings and the film winning a Golden Lion from Lucrecia Martel’s jury in Venice is how similar these reviews were to one another in both their phraseology and their arguments, comprising a herdlike form of collective expression that has to blame a movie for its frustration because it can’t (or at least won’t) blame the American gun lobby. … Read more »

THE LAST WOMAN (1976 review)

From Monthly Film Bulletin, November 1976, Vol. 43, No. 514. — J.R.

Ultima Donna, L’ (The Last Woman)

ltaly/France, l976

Director : Marco Ferreri

Cert—X. dist–Columbia.Warner. p.c—Flaminia Produzioni Cinema (Rome)/Les Productions Jacques Roitfeld (Paris). p—Edmondo Amati. p. managers–Maurizio Amiti, Roberto .Giussani. asst. d—Enrique Bergier, Bernard Grenet. sc–Marco Ferreri, Rafael Azcona, Dante Antelli. story–Marco Ferreri. collaboration on dial–Noël Simsolo. ph—Luciano Tovoli. col—Eastman Colour. ed–Enzo Meniconi. a.d—Michel de Broin. m—Philippe Sarde. m.d—Hubert Rostaing. cost—Gitt Magrini. sd. ed— Gina Pignier, sd. rec–Jean-Pierre Ruh. l.p—Gérard Depardieu (Gérard), Ornella Muti (Valérie), David Biggani (Pierrot), Michel Piccoli (Michel), Renato Salvatori’ (René), Giuliana Calandra (Benoîte), Zouzou (Gabrielle), Nathalie Baye (Girl in Shopping Mall), Soulange Skyden (Girl at Night-club), Carole Lepers (Anne-Marie), Daniela Silverio (Jane), Vittorio Ganfoni (Policeman with Dogs), Guerrino Totis. 9,799 ft. 109 mins. French dialogue; English subtitles.

French titleLa Dernière Femme

Gérard, a young engineer whose wife, Gabrielle, has recently left him, meets Valérie, the attractive teacher at the factory nursery where he goes to collect his thirteen-month-old son Pierrot, and invites her home with him; she agrees, and is assured by her lover Michel thathe won’t interfere.… Read more »