Daily Archives: December 24, 2019

The Best Film of the Past Two Years

This appeared in the January 6, 2006 issue of Chicago Reader. For some reason, it appears to have eluded the Reader’s web site archive, apart from its title, and therefore escaped this web site as well, until I found a way of pasting it in. — J.R.

The Best Film of the Past Two Years

And 24 more picks from what the industry thought us yokels could handle in 2005

By Jonathan Rosenbaum

To choose the best movies of 2005 is to compromise. I limit my list of candidates to films that have screened in Chicago, but I could easily fill it with movies that haven’t screened in the U.S. at all, and God knows what I’ve missed altogether. I’m at the mercy of studio heads, distributors, and publicists, whose decisions about what to release and when defy comprehension.

I saw Woody Allen’s Match Point in Madrid in mid- November, believing the distributor’s announcement that it would open in Chicago in December. Surprised at how much I liked it, I decided it probably belonged on my list, but then some industry executives decided that only the people in New York and Los Angeles should get to see it this year (in time for Oscar nominations), not the less discriminating moviegoers in the Chicago boondocks.… Read more »

Let’s Make Love

From the November 25, 2005 Chicago Reader. — J.R.

Lets-Make-Love-Monroe

lets-make-love-marilyn-monroe-01

Although this 1960 movie is usually accorded a low place in the Marilyn Monroe canon — understandably so, because the comedy and musical numbers never quite take off the way they’re supposed to, and the central plot premise is more than a little labored — it deserves to be reevaluated for the intelligence of Monroe’s performance and the rare independence of her character; this one was made after her brush with Actors Studio, and she isn’t playing a bimbo. Yves Montand costars as a reclusive billionaire who discovers he’s being parodied in an off-Broadway revue; he tries out for the part himself, incognito, and she’s the chorus girl who helps him along. George Cukor directed, in ‘Scope, and lent a certain glamour and polish to the proceedings. With Tony Randall, Wilfrid Hyde-White, Frankie Vaughan (whose number, “Incurably Romantic,” isn’t half-bad), and bits by Milton Berle, Bing Crosby, and Gene Kelly; Norman Krasna wrote the querulous script. 118 min. (JR)

Lets-Make-Love-Heart-DaddyRead more »