Benjamin Schwarz on David Thomson: A defense of Orson Welles [Chicago Reader blog post, 1/12/07]
A footnote to the following (February 7, 2018): I now regard Patrick McGilligan’s Young Orson: The Years of Luck and Genius on the Path to Citizen Kane as the best of all the Welles biographies to date — at the very least, the most thoroughly researched. — J.R.
Film Benjamin Schwarz on David Thomson: A defense of Orson Welles
Posted By Jonathan Rosenbaum on 01.12.07 at 03:30 PM
I sent the following letter to the Atlantic last August. I’m not surprised it wasn’t published. But I can’t resist reproducing it now that Benjamin Schwarz, the magazine’s literary editor and national editor, has shown further signs of his David Thomson idolotry while writing about Cary Grant in the current issue. This time Schwarz calls Thomson’s A Biographical Dictionary of Film, now in its fourth edition, the “finest reference book on the movies.” (He also offers some other debatable critical judgments, such as calling Sylvia Scarlett “a mess of a picture” rather than an exciting forerunner of the French New Wave in its daring mix of genres.) But before getting to his assertion about Thomson’s book, let me reproduce my letter:
“It seems sadly characteristic of the mainstream reviewing of film books in general and those about Orson Welles in particular that nonspecialists routinely take precedence over specialists — and that biographers who forgo original research for the sake of speculation or invention, and even admit to doing this, can be deemed superior to actual scholars, at least if their biases match those of the reviewers.