The following article, which originally appeared in the April 20, 1990 issue of the Chicago Reader, without any star rating, is the only time I can recall writing at length in the Reader about an American TV series. (An edited version of this piece appears in a 1995 collection edited by David Lavery for Wayne State University Press, Full of Secrets: Critical Approaches to Twin Peaks, under the title “Bad Ideas: The Art and Politics of Twin Peaks“.) From a vantage point of almost two decades later, I wouldn’t be as quick today to insist that David Lynch’s work is devoid of any social commentary. What he has to say about the Hollywood community alone, especially in Inland Empire (2006), shows that he’s no longer as detached as he was.
Another invaluable tool for re-evaluation is the recent and superbly appointed Blu-Ray box set devoted to Twin Peaks. Despite some misgivings abiut the show’s second season (see, for instance, Martha Nochimson’s demurrals in her 1997 The Passion of David Lynch about some of the ways the show “perverted” Lynch’s original designs and conceptions), I continue to find much of it very absorbing. The same is true, so far, about the so-far uneven third season, despite the brilliance of the third episode.… Read more »