This is a slightly different edit of a dialogue proposed and inaugurated by Ehsan Khoshbakht on July 5, 2016, edited by him, and published in the British Council’s online Underline magazine on July 8. — J.R.
Abbas Kiarostami (1940-2016), arguably the greatest of Iranian filmmakers, was a master of interruption and reduction in cinema. He, who passed away on Monday in a Paris hospital, diverted cinema from its course more than once. From his experimental children’s films to deconstructing the meaning of documentary and fiction, to digital experimentation, every move brought him new admirers and cost him some of his old ones. Kiarostami provided a style, a film language, with a valid grammar of its own. On the occasion of this great loss, Jonathan Rosenbaum and I discussed some aspects of Kiarostami’s world. Jonathan, the former chief film critic at Chicago Reader, is the co-author (with Mehrnaz Saeed-Vafa) of a book on Kiarostami, available from the University of Illinois Press. – Ehsan Khoshbakht
Ehsan Khoshbakht: Abbas Kiarostami’s impact on Iranian cinema was so colossal that it almost swallowed up everything before it, and to a certain extent after it. For better or worse, Iranian cinema was equated with Abbas Kiarostami.… Read more »