Commissioned by and written for a collection entitled Time, published in February, 2016 by Punto de Vista, Festival Internacional de Cine Documental de Navarra in Pamplona, Spain. — J.R.
Selected Moments: Some Recollections of Movie Time
1. My first sixteen years (1943-1959) — growing up in northwestern Alabama as the grandson and son of Jewish movie theater exhibitors — ensured that time and cinema were alternately parallel and crisscrossing rivers that coursed through my childhood, along with the Tennessee River that separated Florence from Sheffield. Florence, where I lived, had three of the Rosenbaum theaters, at least until 1951, all within a three-block radius, while Sheffield, which I could see across the river from my back yard, had two more theaters, one around the corner from the other. For Southerners like myself, the past was always present, a kind of double vision that movies taught me as well — a camera’s recording of the past becoming the present of both a screen and an audience, which then in retrospective memory becomes the past as well. And for Jews like myself, the past was also identity — meaning one’s past, present, and future. This explains why Lanzmann’s Shoah represents a shotgun marriage between the present tense of existentialism and the past tense of Judaism.… Read more »