It’s been over five months since I submitted this brief article to FIPRESCI for their web site, at their (characteristically urgent) request, in mid-June, just after attending the Seattle International Film Festival as a member of the FIPRESCI jury. It seems pretty certain by now that they won’t be running it, because Seattle isn’t even listed among the fourteen “coming soon” festival reports currently promised on their site.This is basically why I’m running it here — so it won’t go to waste. — J.R.
The Undermining of Intimacy: Home and Everyone Else
By Jonathan Rosenbaum
As different as they are in other respects, one interesting facet shared by two tragicomic European features included in the New Directors Showcase at the Seattle International Film Festival, Ursula Meier’s Home (2008) and Maren Ade’s Alle Andersen (Everyone Else, 2009), is that they both show the gradual deterioration of intimate relationships that starts to occur between or among individuals in isolation from “everyone else”, after they start to become less isolated. In both cases, contact with the outside world seems to operate as a kind of contamination, although the possibility is posed in each case that the
sickness is already present from the outset, but needs the objectification provided by the outside world in order to become fully evident.… Read more »